One of the highlights of RMAF 2007 was encountering Lou Hinkley's Daedalus Audio Ulysses loudspeakers ($8800/pair) in the ART Audio room. Here, paired with Gill Audio Designs Alana preamp ($5000) and Elise DAC ($6000), an Ensemble transport, Clayton M-200 power amps ($9500/pair), and relatively inexpensive Empirical Design cabling, the system was arresting in its transparency and three-dimensionality.
It's hardly the same as clicking your heels three times and finding yourself back in Kansas, but <I>Stereophile</I>'s metaphoric Good Witch of the High End, John Atkinson, has granted me my big wish for CES. Instead of finding myself wandering around and around in circles, following my ears, I’ve been assigned specific turf: T.H.E. Show. And since T.H.E. Show’s two venues, the St. Tropez and adjacent Alexis Park, are literally across the street from our bloggers' home for four nights, the newly and quite tastefully refurbished, remarkably low-key Hyatt Place Las Vegas (formerly the AmeriSuites), yours truly could not be happier. The Sands/Venetian may have more–well-known, higher-profile players, and is certainly attracting more visitors, but I've entered a number of wonderful-sounding rooms on my first day at the St. Tropez to make me quite happy to be here.
We'd been told to check out Boulder's new music server, but that's not exactly what the $24,000 1021 Disc Player is. It's a CD player (with a few other formats "to be announced") that uses a computer disc drive to feed a one-minute buffer to "preserve the integrity of the audio signal delivered from the drive. "Also," confided Steve Rockwell, "the clock is about <I>this</I> far [<I>pinches fingers together</I>], so jitter is phenomenally low."
We're stunned at how few exhibitors spend money for the larger rooms on the 35<SUP>th</SUP> floor of the Venetian, since they are so sonically impressive. Sumiko's room with the $28,000 SME 2012, $6000 Audio Research PH7, $10,000 Audio Research Reference 3, Audio Research Reference 210 monoblock amplifiers ($9000/each), and brand-spanking new $25,000/pair Vienna Acoustic <I>Die Musik</I> loudspeakers had us glued to the sweet spot.
Sumiko was showing the $2495 Primare DVD110 DVD/CD player/reciever. It's a two channel unit with a class-D 102Wpc amplifier and a couple of features you don't see on most stereo components: a subwoofer and 1080p video outs.
As a newbie to hifi, i'm surprised to hear writers in the major magazines talking about requiring massive power (1000W/c) to get realistic SPL (i.e, over 100db). It seems they don't regard this a problem for hearing protection. Is it normal to want this kind of realistic live concert volume levels in a home stereo and is it safe? What is a good general decibel level for listening to music that will prevent any damage to the ears over time? It seems that most people here value the high db levels, or am I wrong?
Ayre's Steve Silberman was excited about the new DPS Ayre turntable. Charlie Hansen had hipped Wes Phillips to the then pending debut of the DPS Ayre back in September.
As a newbie to hifi, i'm surprised to hear writers in the major magazines talking about requiring massive power (1000W/c) to get realistic SPL (i.e, over 100db). It seems they don't regard this a problem for hearing protection. Is it normal to want this kind of realistic live concert volume levels in a home stereo and is it safe? What is a good general decibel level for listening to music that will prevent any damage to the ears over time? It seems that most people here value the high db levels, or am I wrong?
Thanks
Aqua