Sometimes when the world shouts too loudly, I immerse myself in other sounds: in music. I escape the cacophony by diving into my stash of vinyl records (not literally, although that's a fun image) and reveling in the soundwaves they release. The soundwaves liberated from those physical grooves, combined with impressions stored deep in my hippocampus, never fail to soothe, energize, fascinate, excite.

Patches was the first to exit the car, sporting a nose like an overripe tomato. Amid the sawdust-and–tiger-dung smell that wafted through the bigtop, he nimbly extracted himself from the multicolored Mini Cooper, face beaming with vows of slapstick and mischief. Patches gestured behind him, to Chuckles, who emerged with floppy shoes the length of baguettes. Next to squeeze out of the Mini were Bozo, Klutzy, Wiggle, Dinky, Cletus, Peewee, Pinhead, Joey, Sparkles, and Poppy—all wearing baggy pants in shouty hues and huge smiles applied with grease paint. I shuddered with delight. I was 8.

One of my favorite comments by an actual participant in rock history is from Bonnie Raitt: "I miss Little Feat like I miss being eight years old." That remark was included in the liner notes for the Feat's 1981 album Hoy-Hoy (Warner Bros. 2BSK 3538), which was released two years after front man Lowell George's passing in 1979.