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One of the first affordable loudspeakers I reviewed for <I>Stereophile</I> was the original <A HREF="http://www.stereophile.com/standspeakers/628">Paradigm Reference Studio/20</A> bookshelf model, in the February 1998 issue (Vol.21 No.2). At the time, I felt that the $650/pair speaker was a breakthrough&mdash;although not completely devoid of colorations, its ratio of price to performance set a benchmark a decade ago. I kept the Studio/20s around for several years to compare with other bookshelf speakers I reviewed, and they remained listed in <I>Stereophile</I>'s "Recommended Components" for several years after that. The Studio/20 is now in its fourth (v.4) iteration, so I thought I'd grab a pair to hear how they compared with current affordable bookshelf designs.

One of the first affordable loudspeakers I reviewed for <I>Stereophile</I> was the original <A HREF="http://www.stereophile.com/standspeakers/628">Paradigm Reference Studio/20</A> bookshelf model, in the February 1998 issue (Vol.21 No.2). At the time, I felt that the $650/pair speaker was a breakthrough&mdash;although not completely devoid of colorations, its ratio of price to performance set a benchmark a decade ago. I kept the Studio/20s around for several years to compare with other bookshelf speakers I reviewed, and they remained listed in <I>Stereophile</I>'s "Recommended Components" for several years after that. The Studio/20 is now in its fourth (v.4) iteration, so I thought I'd grab a pair to hear how they compared with current affordable bookshelf designs.

One of the first affordable loudspeakers I reviewed for <I>Stereophile</I> was the original <A HREF="http://www.stereophile.com/standspeakers/628">Paradigm Reference Studio/20</A> bookshelf model, in the February 1998 issue (Vol.21 No.2). At the time, I felt that the $650/pair speaker was a breakthrough&mdash;although not completely devoid of colorations, its ratio of price to performance set a benchmark a decade ago. I kept the Studio/20s around for several years to compare with other bookshelf speakers I reviewed, and they remained listed in <I>Stereophile</I>'s "Recommended Components" for several years after that. The Studio/20 is now in its fourth (v.4) iteration, so I thought I'd grab a pair to hear how they compared with current affordable bookshelf designs.

One of the first affordable loudspeakers I reviewed for <I>Stereophile</I> was the original <A HREF="http://www.stereophile.com/standspeakers/628">Paradigm Reference Studio/20</A> bookshelf model, in the February 1998 issue (Vol.21 No.2). At the time, I felt that the $650/pair speaker was a breakthrough&mdash;although not completely devoid of colorations, its ratio of price to performance set a benchmark a decade ago. I kept the Studio/20s around for several years to compare with other bookshelf speakers I reviewed, and they remained listed in <I>Stereophile</I>'s "Recommended Components" for several years after that. The Studio/20 is now in its fourth (v.4) iteration, so I thought I'd grab a pair to hear how they compared with current affordable bookshelf designs.

One of the first affordable loudspeakers I reviewed for <I>Stereophile</I> was the original <A HREF="http://www.stereophile.com/standspeakers/628">Paradigm Reference Studio/20</A> bookshelf model, in the February 1998 issue (Vol.21 No.2). At the time, I felt that the $650/pair speaker was a breakthrough&mdash;although not completely devoid of colorations, its ratio of price to performance set a benchmark a decade ago. I kept the Studio/20s around for several years to compare with other bookshelf speakers I reviewed, and they remained listed in <I>Stereophile</I>'s "Recommended Components" for several years after that. The Studio/20 is now in its fourth (v.4) iteration, so I thought I'd grab a pair to hear how they compared with current affordable bookshelf designs.

Her name was E. and the gentle quaver in her soft voice gave me the impression that she was nervous, anxious, young. Something about it seemed sweet, seemed sincere. Which made me want to help her more. She was calling from England, and the connection was crystal clear. I could hear her perfectly, though she was so far away. She was doing research on the high end hi-fi industry.