Bulletin, ideomotor effect threatens little girls souls!

You're kidding, right?


Quote:

"There's a spiritual reality to it and Hasbro is treating it as if it's just a game," said Stephen Phelan, communications director for Human Life International, which bills itself as the largest international pro-life organization and missionary worldwide.

Segue to twlight zone theme.

2009 Records To Die For Page 8

2009 Records To Die For Page 8

A crime of passion? Depraved indifference to the importance of tuneage? Death by music? The simple fact is that most audiophiles got that way by having too many records. That's right&#151;very few got into this rewarding, non-contact sport because they were aroused by shiny brushed-steel boxes or supersexy speaker grilles. It's because they wanted to hear their piles of music&#151;their Mahler, Monk, or Rick James&#151;sound the best it could. (And, okay, yes: It <I>is</I> cool to show drooling friends your designer gear.)

2009 Records To Die For Page 7

2009 Records To Die For Page 7

A crime of passion? Depraved indifference to the importance of tuneage? Death by music? The simple fact is that most audiophiles got that way by having too many records. That's right&#151;very few got into this rewarding, non-contact sport because they were aroused by shiny brushed-steel boxes or supersexy speaker grilles. It's because they wanted to hear their piles of music&#151;their Mahler, Monk, or Rick James&#151;sound the best it could. (And, okay, yes: It <I>is</I> cool to show drooling friends your designer gear.)

2009 Records To Die For Page 6

2009 Records To Die For Page 6

A crime of passion? Depraved indifference to the importance of tuneage? Death by music? The simple fact is that most audiophiles got that way by having too many records. That's right&#151;very few got into this rewarding, non-contact sport because they were aroused by shiny brushed-steel boxes or supersexy speaker grilles. It's because they wanted to hear their piles of music&#151;their Mahler, Monk, or Rick James&#151;sound the best it could. (And, okay, yes: It <I>is</I> cool to show drooling friends your designer gear.)

2009 Records To Die For Page 5

2009 Records To Die For Page 5

A crime of passion? Depraved indifference to the importance of tuneage? Death by music? The simple fact is that most audiophiles got that way by having too many records. That's right&#151;very few got into this rewarding, non-contact sport because they were aroused by shiny brushed-steel boxes or supersexy speaker grilles. It's because they wanted to hear their piles of music&#151;their Mahler, Monk, or Rick James&#151;sound the best it could. (And, okay, yes: It <I>is</I> cool to show drooling friends your designer gear.)

2009 Records To Die For Page 4

2009 Records To Die For Page 4

A crime of passion? Depraved indifference to the importance of tuneage? Death by music? The simple fact is that most audiophiles got that way by having too many records. That's right&#151;very few got into this rewarding, non-contact sport because they were aroused by shiny brushed-steel boxes or supersexy speaker grilles. It's because they wanted to hear their piles of music&#151;their Mahler, Monk, or Rick James&#151;sound the best it could. (And, okay, yes: It <I>is</I> cool to show drooling friends your designer gear.)

2009 Records To Die For Page 3

2009 Records To Die For Page 3

A crime of passion? Depraved indifference to the importance of tuneage? Death by music? The simple fact is that most audiophiles got that way by having too many records. That's right&#151;very few got into this rewarding, non-contact sport because they were aroused by shiny brushed-steel boxes or supersexy speaker grilles. It's because they wanted to hear their piles of music&#151;their Mahler, Monk, or Rick James&#151;sound the best it could. (And, okay, yes: It <I>is</I> cool to show drooling friends your designer gear.)

2009 Records To Die For Page 2

2009 Records To Die For Page 2

A crime of passion? Depraved indifference to the importance of tuneage? Death by music? The simple fact is that most audiophiles got that way by having too many records. That's right—very few got into this rewarding, non-contact sport because they were aroused by shiny brushed-steel boxes or supersexy speaker grilles. It's because they wanted to hear their piles of music—their Mahler, Monk, or Rick James—sound the best it could. (And, okay, yes: It is cool to show drooling friends your designer gear.)

2009 Records To Die For

2009 Records To Die For

A crime of passion? Depraved indifference to the importance of tuneage? Death by music? The simple fact is that most audiophiles got that way by having too many records. That's right&#151;very few got into this rewarding, non-contact sport because they were aroused by shiny brushed-steel boxes or supersexy speaker grilles. It's because they wanted to hear their piles of music&#151;their Mahler, Monk, or Rick James&#151;sound the best it could. (And, okay, yes: It <I>is</I> cool to show drooling friends your designer gear.)

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