Bruce Ball’s AV Luxury Group, with a little help from his other distribution company, Ball Audio Distribution and System Solution (which forms what may be the world's best acronym), and Dantax Radio set up two systems headlined by Margules electronics.

Balanced Audio Technology’s chief designer Victor Khomenko and BAT rep Steve Shade unveiled new products in conjunction with MoFi Electronics in 334.

In the Innovation room, operated by Joe Corona of Chicago-based dealer Saturday Audio Exchange, two systems played, both featuring new components.

For music listening circa 2024, streaming is both the present and the future. Physical formats are still around, and they are still the best choice in some cases, as with deluxe reissues of beloved albums, which may add value with extra live performances, full-resolution surround sound, and other perks. The niche vinyl market continues to thrive, and that business model obviously works for releases of a few thousand copies. (It also works, apparently, for releases of hundreds of thousands of T-Swift platters to be displayed on shelves and hung on walls.)

But facts is facts: Streaming is now the only mass medium for listening to recorded music—the primary carrier for music—and has been for a few years now. According to RIAA statistics, the crossover year was 2016. That's when, in revenue terms, streaming outpaced physical formats. By 2022, the latest full year tabulated, streaming accounted for 84% of US recorded-music revenue.

So what's a long-time audiophile, born into the analog world, with strong roots in physical media, supposed to do?