AXISS Audio saved one of the stars of its portfolio, Accuphase, for room 1129. Instead of showing the Accuphase A-300 monoblocks, which I will surely propose for one of our next Stereophile Product of the Year awards, Cliff Duffey premiered the Accuphase P-7500 power amplifier in bi-amp configuration ($25,975 each) and Accuphase DP-770 SACD player/DAC ($26,575).

One of my first stops at Munich High End 2024 was at the Stromtank power regenerator display in Halle 3. Accustomed to seeing the visually imposing Stromtank “A Mighty Fortress is our God” computer-monitored battery power supply units in either silver or black, it was a surprise to encounter the Stromtank S-25000 Quantum MK-II ($30,000)—the unit I currently use—in white.

Nordost’s entry-level "Leif" line of cabling has just taken a major step forward with the introduction of Leif Series 3 ("Leif 3"). Gauge and terminations on the entire Leif series—White Lightning 3, Purple Flare 3, Blue Heaven 3, Red Dawn 3—have been upgraded.

“MBL always sounds great at shows” is an axiom so often repeated that it could serve as an audiophile mantra, but it accurately describes the experience of hearing a full-range, air-filled presentation that, in Munich, was open, alive, and just plain fabulous.

Bad me. For the past two or three years, knowing that it would run too late, I’ve begged off the evening Göbel press dinner / factory visit. From what I understand, it was my loss. According to Adam Mokrzycki, the mastermind of the Warsaw Audio Show, Oliver Göbel’s factory set-up is among the most impressive he’s ever heard. I stand chastised, Oliver and Adam.

Less than a week after visiting the Innuos factory in Portugal—report and video forthcoming—I had the opportunity to audition their products again in Munich. This time, the speakers were more full-range and superior in quality, and the associated electronics all top-level.

Ow Ow Ow, Ow Ow Whaow, Ow Ow Ow...Wha-aa-ow. That simple G-minor melody, supposedly inspired by Beethoven's Fifth Symphony (or perhaps Brazilian composer Carlos Lyra) and played with the tone of a Fender Stratocaster doubled by a Hammond B3 organ, is unquestionably the most famous rock-guitar riff. The apotheosis of 1970s hard-rock, the ubiquitous "Smoke on the Water" is also the unlikely story of the song's creation and the high-water mark of long-running UK rock band Deep Purple.

On the final day of High End Munich, a couple of hours before closing time, I sent the visiting Stereophile crew a message about the new speakers in the YG Acoustics room: “Should you have time and you haven’t visited yet, go listen. Both the passive and active systems there sound phenomenal.”

Time and again at AXPONA and Munich, I’ve seemed to play tag with Robert Harley and Tom Martin of TAS. In the Tidal room, my appointment followed theirs; at the Ideon press conference and Peter McGrath's CH Precision / Wilson demos, Tom and I sat close to each other. Clearly, we’re drawn to the same quality gear.

Zeiler Audio’s Ralf Zeiler took a stellar rig to AXPONA. I was very curious to hear his room at High End Munich.