The sound of the Stenheim Alumine loudspeaker—its openness, transparency, and freedom from temporal distortions, not to mention its good bass extension for such a small enclosure—reminded me at once of my favorite small loudspeaker from the late 1980s, the Acoustic Energy AE1. On reflection, the comparison is extraordinary: The two products are as different as night and day, the AE1 being a wooden loudspeaker with a metal-cone woofer, the Alumine a metal loudspeaker with a pulp-cone woofer. I suppose one can skin a catfish by moving the knife or by moving the fish.

On Valot Kaukaa, Finnish producer Olli Aarni, working as Nuojuva, creates a strange, romantic world of sound. We hear wind and birdsong; crackle and hiss; hints of familiar classical pieces; cello, flute, and violin; whispers and sighs from Rachel Evans of Motion Sickness of Time Travel; and the lovely piano work of Sophie Hutchings, whose 2010 album, Becalmed, was one of my 2011 “Records to Die For.”

Stereophile has reviewed two integrated amplifiers from Chinese manufacturer Cayin in the past: the A-50T, which I wrote about very positively in March 2008, and the A-300B, which Art Dudley reviewed in February 2007. So when I read about Cayin's $2195 SP-10A integrated amplifier, which has a wood-covered sleeve, just like the old Marantz and McIntosh gear and offers 38 watts of push-pull power, in our coverage of the 2008 CES, I put in on my must-write-about list.