In spite of having one end of my listening room devoted entirely to record shelving, there are now 15 cartons of LPs and 78rpm records scattered throughout my house, said bounty enduring as a source of distress for The Management. That prompted me to set about building a new record cabinet and equipment support to handle the spillover. That prompted me to take a fresh look at how my records are catalogued. And that prompted me to cull from my collection every mono record I own, thinking I would keep them separate from the rest.

This makes me happy. What more can we ask from a simple pop song?

“Dude. Whatever,” jabbed my drummer.

“But I need new over-ears,” I pleaded.

“What do you want me to do about it?”

“Nothing, I guess. Maybe show some sympathy?”

“Fuck off.”

It was getting serious. I was getting my drummer involved, but he didn’t care.

He didn’t care that my Sony MDR-V150s distorted at high volumes and always pinched out a chunk of hair from my balding scalp after I took them off. He didn’t understand that my favorite Grado SR60s (More SR60 links: Corey Greenberg’s review and Jim Austin’s review) had a broken earpiece frame rendering themselves un-wearable in stereo. Even some Grado SR125s that JA brought in for me to borrow were dead in one channel, and the headband on Stereophile’s sample of Monster Beats Studio had a crack down the center. I did not want to break them with further use. Listening to music in my cubicle had become near-impossible. My in-ear headphones hurt after an extended periods of use (that includes 8 hours at a desk); plus, the right channel in my Etymoic ER6s is silent. I always feel awkward playing music lightly through my desktop speakers, barely interrupting everyone else around me. I need it loud, and I need it to myself.

Then the Sennheiser HD 428s came into to my life.

Dinosaur Jr., one of the world’s greatest rock bands, returns on September 18 with I Bet on Sky.

Now, thanks to AnalogPlanet and Music Direct, you have a chance to win a Rega RP1. All you have to do is go over to AnalogPlanet and register. The winner will also receive Rega’s cool, new Fono Mini A2D phono preamp ($175). Combined with the RP1, the Fono Mini A2D will allow you to play your LPs and transfer them into your computer.

Go for it. Good luck!

Here’s the video for “Cascades” from Ryan Teague’s Field Drawings.

Directed and produced by Craig Ward, the video is enchanting, magical, strange. What are those delicate white lines? Icicles? Spider webs? Crystals? The press release offers only a cryptic explanation: “The movements of a music-box ballerina are reinterpreted in a groundbreaking video for British composer Ryan Teague using electromagnetic fields, subzero temperatures, and 2000 volts of electricity.”

A behind-the-scenes look offers more clues:

The Cherry Thing, the surprising album from vocalist Neneh Cherry and free-jazz trio The Thing (Mats Gustafsson on saxophones, Ingebrigt Haker Flaten on bass, Paal Nilssen-Love on drums) will be released by Smalltown Supersound on June 19th.

We listened to “Dream Baby Dream” and watched the video for “Accordion,” and now, thanks to NPR’s First Listen series, we can stream The Cherry Thing in its entirety.