Devialet D-Premier D/A integrated amplifier

Devialet D-Premier D/A integrated amplifier

Most reviews are straightforward. One preamplifier or power amplifier replaces another. DACs are swapped out. A new pair of speakers takes up residence in the listening room.

But some products demand a complete revision of a system's architecture. Such was the case with Devialet's D-Premier ($15,995). Not only is this French product an integrated amplifier, with phono and line analog inputs; it has digital inputs and an internal D/A section.

21 More Records from 2012

21 More Records from 2012

A couple of weeks ago, I listed my favorite records of 2012. There are over 100 records on that list. And, even though I do believe that all those records belong on the list, I can’t help thinking that one person can’t possibly really, deeply, truly get to know 100 records in just 365 days. After all, I regularly hear new things in records that I’ve been enjoying for years.

Well, then, how really deeply, truly do I know any record? Does it matter? Whatever.

Here’s another list: Records that I didn’t get around to in 2012, but that I hope to spend quality time with in 2013.

The Road to Analog-Sounding Digital: Are We There Yet?

The Road to Analog-Sounding Digital: Are We There Yet?

To say that a digital source "sounds like analog" has always struck me as coming up short. The notion that one format sounds like another is not really sensible or even ideal. While I love listening to LPs, there are some physical attributes of vinyl that, ideally, you don't want to reproduce. You know what I'm talking about because, every chance they get, LP haters remind us about pops, ticks, skips, surface noise, inner-groove distortion, etc. So when we say that a digital source sounds like analog, what we're really saying is that it doesn't sound like digital.

Recording of January 2013: Wagner: Der Ring des Nibelungen

Recording of January 2013: Wagner: Der Ring des Nibelungen

Wagner: Der Ring des Nibelungen
Birgit Nilsson, Hans Hotter, Wolfgang Windgassen, George London, Gustav Neidlinger, Gerhard Stolze, Gottlob Frick, Dietrich Fischer-Dieskau, Kirsten Flagstadt, Set Svanholm, James King, Régine Crespin, Christa Ludwig, many others; Vienna State Opera Chorus, Vienna Philharmonic, Georg Solti
Decca 0289 478 3702 2 (17 CDs, 1 BD, 1 DVD). 1958–66/1997/2012. John Culshaw, prod.; Gordon Parry, eng.; James Lock (1997), Philip Siney (2012), remastering. ADD. TT: 14:36:56 (Ring only)
Performance *****
Sonics *****

Gramophone called it "the recording of the [20th] century"; Stereophile named it No.1 of the 40 essential recordings of all time. Fifty-four years after the first Rheingold sessions, there is still nothing like this history-making first studio recording—by conductor Georg Solti, the Vienna Philharmonic, and producer John Culshaw—of Wagner's Der Ring des Nibelungen, originally taped and released on LP from 1958 to 1966. The unsurpassed quality of singers and orchestra, Solti's astonishing ability to tell a dramatic story in music, the epic scope and sweep of work and performance—and the sound, as much a wonder for our own time as half a century ago—make these recordings seem more precious, their combinations of qualities less likely to ever be repeated, with every passing year.

Listening to the Stax SR-009 and Great Headphone Amplifiers

Listening to the Stax SR-009 and Great Headphone Amplifiers

This story originally appeared at InnerFidelity.com

With just a few phone calls and emails, I've managed to get my hands on the amazing Stax SR-009 headphones, and some of the world's best electrostatic headphone amps and the gear to make use of them, and set them up my demo room for a week of comparative listening.

Quite the ear opening experience!

First Time Ever: Mahler Download in DSD

First Time Ever: Mahler Download in DSD

Just in time for the New Year, Cookie Marenco of Blue Coast Records has released the first-ever DSD (Direct-Stream-Digital) download of the San Francisco Symphony Orchestra's recording of Mahler's Symphony No.1. Recorded live in Davies Symphony Hall in September 2001, shortly after 9/11, and first released as a hybrid SACD in 2003, the recording is one of the only four Mahler symphonies in SFSO's complete Mahler cycle that were recorded directly to DSD.

The Mahler 1 files, available in four formats, are all derived directly from San Francisco Symphony's master, not from a copy of the SACD. The formats include two DSD formats: DFF and DSF. For those whose computer playback software or DACs are not equipped to play DSD files, 24/96 and 16/44.1 PCM files in WAV format are also available.

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