Slowly, painfully, high-end audio seems to be dying. We all know it but we're apparently unable to resuscitate the patient. US dealers are closing at alarming ratesit must be the economy. Women continue to avoid the High Endit must be the technobabble combined with male equipment fetishism. Younger people aren't hopping aboardit must be all those other things competing for their money. (Then again, it might be the High End's abhorrence of rock'n'roll.)
This reconstruction of the Ninth's Finale is the result of 30 years' work by Bruckner scholars Nicola Samale, John A. Phillips, Benjamin-Gunnar Cohrs, and Giuseppe Mazzuca (SPCM). (See March 2010 feature story.) For this new "Conclusive Revised Edition 2012," SPCM shortened by 18 bars the coda, of which little of Bruckner's writing survives, and reworked it to include, based on Bruckner's description, a development of the trumpets' "Alleluia" in bar five of the Adagio. This works well, though the coda now seems a bit short. A further "final" edition is in the works.
Congratulations to Scott Leslie of Portland, Connecticut winner of the Pat Metheny The Orchestrion Project Blu-ray Sweepstakes. Robert Baird named the original recording our February 2010 Recording of the Month. Scott's copy of this Blu-ray was signed by Pat himself. Everyone give a big hand for Scott! Now who wants some Fela Kuti?
Fela Kuti Box Set Compiled by Ginger Baker from Turntable Lab Sweepstakes
Jan 21, 2013
Register to win the Fela Kuti Box Set Compiled by Ginger Baker from Turntable Lab (MSRP $99) we are giving away.
"The second curated box set of long-awaited reissues from Fela Kuti is finally here! This time around, Knitting Factory Records has enlisted frequent Fela collaborator Ginger Baker to take the honors in selecting 6 classic LPs from the godfather of afrobeat's illustrious catalog. Baker's selections for this set include his own collaboration record, Live with Ginger Baker from '71, Roforofo Fight from '72, Confusion and Alagbon Close from '74, He Miss Road from '75, and Na Poi from '76."
Las Vegas? Why bother to fly across the country or around the world when you can visit New York City, Venice’s Grand Canal, and Egypt’s Great Pyramid in one easy, smoke-filled, retail therapy-rich, constantly stimulating stop? Why search out music on the net when, in Las Vegas, it constantly bombards you in elevators, from outdoor loudspeakers, and at your free lunch at T.H.E. Show?
Ah, Las Vegas. In his wrap to CES 2012, Stephen Mejias did a beautiful job of asking the simple but profound question, “Why?” Why, of all the god-forsaken places on Planet Earth, has the Consumer Electronics Association chosen this compulsion-driven, ecologically devastating, one-stop tourist and gambling destination as the site for the largest industry trade show in the US?
And then there were five. At the end of the show on Friday evening, the remaining members of the Stereophile crew met for dinner at the same BLT Burger restaurant at the Mirage where they had eaten the night before the Show opened. Larry Greenhill, Michael Fremer, Kal Rubinson, Jon Iverson, Tyll Hertsens, and Jason Victor Serinus had already departed, so remaining were (left to right) myself, John Atkinson, Michael Lavorgna (AudioStream.com), Stephen Mejias, and Tom Norton (Home Theater, erstwhile Technical Editor for Stereophile). We don’t even look too tired!