Ypsilon Electronics’ James Michalopoulos seemingly brought the entire Greek-made line of electronics to Munich, beginning with a product the company’s founders, Demetris Baklavas and Fanis Lagadinos, don’t make, from Japanese turntable manufacturer, TechDAS.

Riviera Audio Labs’s founder Silvio Delfino and designer/engineer Luca Chiomenti introduced two world premiere components at their booth at High End Munich: the APL-1 Tube Line Preamplifier ($26,000) and the AFS-32 Hybrid Stereo Power Amplifier ($28,000).

Ofra Gershman premiered Gershman Acoustics’s 30th Anniversary Black Swan speakers ($95,000/pair) at Munich, and a fine sight they were. The two-in-one speaker construction come with a specified frequency range of 18Hz–24kHz, 88dB/W/m sensitivity, and 6 ohms nominal impedance and stand 52" high by 15" wide and weigh 145lb each. Who says good things don’t come in large packages?

In the months since I told my Lenco story in Gramophone Dreams #79, two of my friends have bought L75s, and now they're enjoying them more than their shiny movie-star decks. One told me he has put more than $2000 into a Lenco L75 he bought online for $350. When I asked how his hot-rodded Lenco compared to his fancy belt drive, he replied, "You can feel it. The Lenco's motor pulls like a team of Clydesdales. It makes my belt drive feel like a pony pulling a child's cart."

When I asked him what he thought his rebuilt Clydesdale deck, with its new bearing, Jelco tonearm, and Grado Prestige Gold cartridge, was doing that his well-regarded belt drive was not, he replied, in a low, serious voice, "I think it gets more of the first part of a note."

My first encounter with an Audiovector loudspeaker was at the 2019 Toronto Audiofest. Driven by colorful (both sonically and visually) Alluxity electronics, the R 3s sounded pure and very fine. As I sat listening to the R 3 Arretés, the R 8 Arreté, their big brother, sat quietly in the corner, seemingly pleased with the performance of its smaller sibling.

I ended up reviewing the R 8 instead of the R 3, which in retrospect hardly seems fair:It was the R3 I heard that day, the R 3 that attracted my attention and got me interested in the brand.

German analog powerhouse Acoustic Signature roared into High End Munich with a trio of new products: two feature-packed phono stages and a cutting-edge tonearm. Their booth was a showcase of gleaming AS equipment, from precision tonearms and turntables, including the behemoth Invictus Neo, to meticulously crafted, matte-finish phono stages.

Just out the hotel door and fully caffeinated, I was blown away by the looks, construction, and performance of Zavfino turntables and tonearms. As 1877Phono Zavfino, the company has for years supplied internal wire to major manufacturers; the brand also offers interconnects, speakers, and power cords to the public.

Benny Audio, founded in 2017 and based in Gliwice, Poland, produces massive turntables that recall TechDas and Acoustic Signature. BA’s flagship Odyssey model, including 14" tonearm with direct wiring and power supply (€24,000), drew every eye in their Munich room as it spun vinyl with muscularity and deep-earth, saturated tone.

While the upper floors at High End Munich were densely populated with manufacturer’s full-system demo rooms, smaller but no less worthy players filled stand space in the ground-floor Halles, from Halle 1 to Halle 4. Two such manufacturers were Remton Audio and Fonolab, both from Praque. They brought an array of analog-centric devices that had me drooling.