It's a fondly regarded part of every SSI: a single large ballroom given over to small exhibits—some active, most of them passive—of products that are designed and made in Canada. Among the most striking sights in this year's Pavillon du Canada was something that I can describe only as The Big, Orange Turntable, which sat near the center of the floor: unlabeled, unattached to any other components, and apparently unrelated to any known exhibits. Big, Orange Turntable, we salute you.

The photography used in the display materials associated with Totem loudspeakers are of consistently very high quality. That said, during my stroll through the Pavillon du Canada at this year's SSI, I finally noticed something about the people in those photos: They are exclusively female, and they are almost always barefoot. As a male who is as ignorant of the principles of the psychology of marketing as he is hesitant to go barefoot anywhere but the beach, the bath, and the bed, I am puzzled (but not troubled).

On static display at the Pavillon was a sample of the A115 stereo MOSFET power amplifier from Ontario-based Linar Audio; information on pricing was not on hand.

I have experienced my first cable demo in French. The very animated and enthusiastic Bruno Delorimier conducted a Nordost interconnect comparison for an appreciative audience of Quebec audiophiles, using a pair of Dynaudio Confidence C1 loudspeakers ($8500/pair, plus $600 for stands), and all SimAudio Moon electronics. Going from Nordost's Blue Heaven ($350/1 meter pair) to their monofilament-technology Heimdall (ca $800/1 meter pair), the differences in rhythmic nuance and sheer touch—in favor of the Heimdall—were apparent, regardless of language.

Like the gentleman seen browsing through the crates of LPs offered by Aux 33 Tours—the Montreal vinyl specialists who shared SSI space with hi-fi retailer Acoustic Technologies—I too have a record-shopping hat. I wear it for good luck whenever I leave the house in search of rare vinyl. Especially in cold weather.

On my second day in Montreal I had an enjoyable conversation with Jean Barbeau of Solen Electronique, the Quebec manufacturing company whose capacitors and other passive components remain popular with hundreds of manufacturers (including the vintage-inspired Shindo Laboratory). Monsieur Barbeau, who co-designed the fine-sounding loudspeaker project being demonstrated in Solen's SSI room, observed that more and more young listeners have been approaching Solen in recent months for DIY parts and advice—"A very healthy trend."

Among the many SSI rooms sponsored by Canadian distributor Plurison was a ballroom—the Verdun, to be precise—where the signage promised MartinLogan loudspeakers on demonstration. I stepped a short distance inside and was swallowed by darkness—and sound. I followed the latter, turned left, and felt more than saw a row of theater-style seats, most of them filled with people who were enjoying Avatar on a large screen. The sound was indeed impressive, but it was impossible to see, let alone photograph, the gear being demonstrated, and I could locate neither personnel nor literature. Unsure how to illustrate such an experience, I grabbed my chance and, on the way out, photographed the next guy going in.

At last year's SSI, the show management asked exhibitors to assemble systems that are "entry level" in a high-performance audio context, costing less than $5000. (We can argue—and some people did—about whether <$5000 is a realistic figure for "entry level," but, audiophiles being the way they are, you're going to get an argument regardless of the figure.) In any case, relatively few exhibitors followed through with this last year. At SSI 2014, show management made more of a concerted effort to persuade exhibitors to participate, and indeed there were a lot more of the little blue "$5000 System" signs throughout the show.

Now, that's a real speaker! Unless you examine it, or read the literature on the Tannoy Canterbury GR ($30,000/pair), you might think that you're looking at a speaker made more than a half-century ago: a very substantial floorstander that's wide as well as deep, making no concession to modern speaker design ideas like keeping as narrow a front baffle as possible.

With Bam Bam and Pebbles as product names, I thought I was merely stating the obvious in a previous show report when I suggested that the designer of Tri-Art Audio products must be a Flintstones fan. I mentioned this to the Tri-Art people at SSI 2014, asking whether they were paying royalties for using these names, and was told that they never thought of any connection with the Flintstones: Bam Bam is a reference to the use of bamboo in their products. (I still don't know how "Pebbles" comes into it.)