Tandberg of Norway has a rather ambiguous corporate image among audio perfectionists. Long considered to make some of the best tape-recording equipment around, the firm has never been seen as a leader in electronics, despite some bold—and reportedly good-sounding—forays into the realm of $2000 preamps and $3500 power amplifiers. Perhaps this is why, when Tandberg started making CD players, high-enders were uncertain how to respond.

On Sunday morning I eased into my rounds with the Musical Surroundings folks: In conjunction with local dealer Sweet Home Audio, they presented a sweet-sounding, straight-up analog setup that featured several products at (relatively) more affordable price points than is sometimes the case.

AudioShield, now the distributor for Credo Audio of Switzerland, partnered with Florida dealer House of Stereo to introduce the Swiss maker’s EV Reference One speaker ($40,000/pair) in a system driven by a full suite of EMM Labs high-end electronics, with EMM’s DV2 integrated DAC with preamp stage and volume control ($30,000) and NS1 streamer ($4500) and Wolf Audio Systems Alpha 3 SX Audio Server ($9895) as digital sources. A van den Hul Grail SE+ phono stage and a VPI HW-40 40th Anniversary turntable served as the analog front end.

Have you ever suspected that the component you bought after diligent research is somehow not "typical"? That its sound seems to bear little resemblance to the descriptions in the reviews you read? Sure, you listened to the unit before purchase, but the one you took out of the box at home—was that the same unit? And if you suspect your new unit's sonic quality is below par, just how do you or your dealer go about proving it?

Zesto Audio presented the third generation of its Leto preamplifier: an Ultra version that offers a slew of new features, from upgraded all-analog circuit topology and a new 12DW7 tube configuration to the addition of three gain options (3dB, 6dB, 9dB) that can be saved for different input sources. Full remote control capabilities have also been added for on-the-fly adjustments of input, volume, gain, mono, and muting.

A sub-brand under the Jolida marque, Black Ice Audio used the Florida Audio Expo to introduce the final production models for some new amplification components. (Prior versions seen and heard at previous shows were late-stage prototypes, I was told.) The Black Ice Fusion F11 and F22 integrated amplifiers were shown in striking glass and carbon-fiber chassis with relatively small footprints, which is particularly desirable for the European and Asian markets.