At AXPONA 2022, I eagerly headed to the Esoteric exhibit, where I spoke with Keith Haas, national sales manager of 11 Trading Company, Esoteric's US distributor. When I learned of the forthcoming Grandioso M1X monoblock ($35,500 each), the culmination of a complete revision of the company's top-selling M1 monoblock (now discontinued), I worked with Haas and Editor Jim Austin and set up a review.

Lakecia Benjamin: Phoenix (Whirlwind Recordings); Jim Self: My America 2: Destinations (Basset Hound Music); and The Necks: Travel (Northern Spy Records).

Probably the biggest group of audiophiles right now are still "Boomers": members of the "Baby Boom" generation, which by most definitions puts their minimum age at close to 60. Boomers are aging and won't be around forever. So bringing new blood into the hobby is more important than ever.

Younger people (post-Boomer generations) listen to a ton of music—but are they really listening? Are they paying close attention, or, as the cliché goes, is it, for them, all background music? Generational clichés are rarely accurate. Of course they actually listen. Enough of them are, anyway. And they hear more; their hearing is better.

The hegemony of the skinny-box orthodoxy had me worrying about our collective music-listening future—until a day in September 2022 at Jason Tavares's elegantly appointed HiFi Loft in Hell's Kitchen, NYC, where, after auditioning Klipsch's new, spectacularly dynamic, precise-imaging Jubilee horns (which have front baffles 52" wide) and Harbeth's latest not-skinny-but-consummately-coherent SHL5plus XD, I auditioned these stout, unpainted, unveneered-plywood box speakers.

There's a good case to be made that the world's greatest—and strangest—audiophile culture resides in Japan. Probably the most important notion the Japanese have introduced to our hobby is that home audio isn't merely a way of heightening the musical art of others but can be an art in itself. This idea's most flamboyant embodiment was the poet, journalist, chef, and amplifier builder Susumu Sakuma, better known as Sakuma-san.

In the articles on hi-fi that he contributed to the Japanese magazine MJ, Sakuma-san also wrote about film, fishing, karaoke, and pachinko machines, and he usually began and ended his contributions with a poem. He considered himself an evangelist for emotional sound and demonstrated his audio systems in homes, at conferences, and on concert stages around the world. Though he passed in 2018, his fan club, called Direct Heating, remains a happening concern. Sakuma-san was fond of coining mottos—one was "farewell to theory"—but what has stuck with me most is his description of an ideal sound: "endless energy with sorrow."

This phrase came to mind often during the months I spent living with the Klipsch La Scala speakers, which imbued my musical life with unprecedented amounts of sound and emotion, and which I believe Sakuma-san would have enjoyed.