Sumo Samson subwoofer & Delilah crossover

Sumo Samson subwoofer & Delilah crossover

Welcome back, Ladies and Gentlemen, to the continuing saga of the Englishman's Search for True Bass. In the previous episode (footnote 1), you witnessed Our Hero tussling with the problems of ported vs sealed-box woofer loading for full-range speaker systems. His conclusion? That ported designs may offer low-frequency quantity but it always seems to be at the expense of quality. If it's bass quality you want, you are better off with well-tuned sealed boxes, which explains why he is an unashamed fan of relatively small speakers with fast, tight upper bass. In this month's thrilling installment, JA—stiff upper lip thrust forward—wrestles with the problems of extending the bass response of his preferred speakers with a subwoofer from the Californian company of Sumo! Now read on . . .

From a 3-Speed Jobbie to the Cutting Lathe:
How Bill Pauluh Became an Audiophile

From a 3-Speed Jobbie to the Cutting Lathe:
How Bill Pauluh Became an Audiophile

Bill at the cutting lathe.

In our “Becoming an Audiophile” series, readers share stories of how they got into the hi-fi hobby. This is the story of how Bill Pauluh became an audiophile.

Music Hall and Audioengine at Urban Outfitters

Music Hall and Audioengine at Urban Outfitters

I was sort of surprised when I saw that Urban Outfitters, the hipster home and apparel shop, had started selling LPs. I was more surprised to learn that they had a headphone listening station&#151you can actually walk into the store with your iPod and audition a bunch of headphones. But now Urban Outfitters is carrying Music Hall turntables and Audioengine powered loudspeakers. I really like this.

Totem Acoustic Beak

Totem Acoustic Beak

Erick Lichte mentioned Totem Acoustic's Beak, which costs $125/pair, in his follow-up review of the Totem Forest loudspeaker in January 2010. The Beak is a bullet-shaped device, about 2" high by 1.5" in diameter, that's intended to be placed atop a speaker to control "parasitic resonances." I was given a pair of these more than 10 years ago, and have tried them with various speakers. While Erick didn't find the Beaks to make any difference to the sound of the Forests or any of the other speakers he had to hand, my experience was different.

Recording of March 1988: Wagner: Lohengrin

Recording of March 1988: Wagner: Lohengrin

Wagner: Lohengrin
Placido Domingo, Lohengrin; Jessye Norman, Elsa; Eva Randova, Ortrud; Siegmund Nimsgern, Telramund; Hans Sotin, Heinrich; Dietrich Fischer-Dieskau, Heerrufer; Vienna State Opera Chorus; Georg Solti, Vienna Philharmonic Orchestra
London 421 053-1 (4 LPs), 421 053-2 (4 CDs). James Lock, John Pellowe, engs.; Christopher Raeburn, prod. DDD. TT: 222:54

It's always surprised me that Lohengrin, Wagner's most awkward, transitional, and static opera, was, for its first 100 years, his most popular. It didn't help, I suppose, that I began my study of things darkly Teutonic with The Ring and Tristan, working forward and backward from there. In Lohengrin we can hear the last reluctant pullings away from operatic conventions—especially choral—of the first half of the 19th century, and the gropings toward full-blown musikdrama—especially in Act II, scene i.

Lee Ranaldo: Between the Times and the Tides

Lee Ranaldo: Between the Times and the Tides

I just saw a rainbow fall into the floor
Shattered into pieces, your eyes ask “What for?”
These days I’m all alone out in the middle of the world
These days I’m trying to tell myself you’re just some other girl

&#150"Off the Wall," Lee Ranaldo

It was around noon on Sunday, October 16th, 2011, and I was in the lobby of the Denver Marriott Tech Center. Jennifer Atocha broke the news. Kim Gordon and Thurston Moore had separated after 27 years of marriage and 16 awesome full-length albums with their band, Sonic Youth:

the
band
that
had
changed
my
life.

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