Luxman does DSD at listening events to be held at Audio Revelation in Carlsbad, California, and The Gramophone in Alberta, Canada.

Hey everyone. Meet Zach.

Cole Porter: An All-Star Tribute (DVD, VAI) includes outtakes of the great Ethel Merman filming for TV, in 1960, a performance of Irving Berlin's "Alexander's Ragtime Band." In take after take, something goes wrong. Each time the director shouts "Cut!," Merman stops in her tracks, almost as if deflating; when the director yells "Action!" she starts from the top, fresh as new, the model showbiz professional.

Around the last decade of the previous century, something significant happened in jazz. Suddenly, many of the best players were no longer Americans. Actually, it was not sudden. It was a gradual flowering that achieved critical mass and could no longer be overlooked.

At the end of April, it will be time to renew the lease on my quaint Kensington duplex. Over the past three years, a cast of typical New Yorkers rotated residency within these plaster walls: stand-up comedians, chefs, and real-estate agents; art handlers and opera singers; venue managers and musicians. Claiming residential seniority over this home of interchanging misfits, it was time to stake claim on the room my system most deserved.

There has been a lot of buzz lately generated by show demonstrations of DSD recordings played directly from files and as the opportunity to download DSD files is expanding. The reactions of our writers have ranged from "impressive," to an "epiphany," to my own delight reported in the upcoming May issue of Stereophile. The hardware used has been mostly professional (Sonoma workstation) or semi-professional (Mytek Stereo 192-DSD) or, at the very least, costly enough for the unconvinced to hesitate. Now, in one fell swoop, Oppo has made this possible at no cost at all for those of us who own an Oppo BDP-103 or BDP-105.

The strange trembling vocals, warm synth sounds, and chamber pop movements of Konkylie, When Saints Go Machine’s full-length debut, appealed to me in unusual fashion: slowly at first, confounding my senses for a time, before finally winning me over. With time and repeated listening, the album became one of my very favorites of 2011.

Sarah Lois Vaughan was born on this day in 1924, in my hometown: Newark, NJ. In this clip, taken from a 1958 performance, she sings “Tenderly.”

Thanks must go to Lester Perkins and Jazz on the Tube.

Are there too many audio shows? With the Chicago AXPONA having been held two weeks ago, the Montreal SSI having just concluded, and the New York Audio Show coming up in what their website currently indicates is 16 days, 21 hours, 51 minutes, and 9 seconds away, people are starting to wonder whether we're getting an overload on audio shows. This is a sentiment that I've heard expressed by manufacturers and distributors—and, from the business point of view, their concerns are well founded. Participating in shows is an expensive endeavor, and the benefits in terms of additional business, while real, are difficult to measure.

One of the by-invitation-only events of SSI is the party held by Montreal high-end retailer Coup de Foudre—the invitees being personnel of their suppliers and the media. This year's CDF party followed their usual formula of good food and drink and genial hosting by Graeme Humfrey and Jennifer Cytrynbaum. Who are the people in this picture? OK, I'll start naming the ones I know. That's Gerard Rejskind of UHF Magazine in the approximate center, next to the right (Gerard's left), Philip O'Hanlon of On A Higher Note, and the tall fellow with the scarf is John DeVore of DeVore Fidelity. Do you know any others?