In the high-end audio industry, the representation of women in professional roles is strikingly low. Yet these women are integral to every facet of the industry, from engineering and design to leadership, proving that their contributions are vital.

San Marcos, California's Audience AV and old friend Ralph Karsten of Atma-Sphere bought a fresh system to T.H.E. Show.

Vinh Vu, my first friend in this audiophile thing, has been a busy bee since we met in the 1990s. With his company Gingko Audio, he's marketed his unique isolation platform, Danacable, and the Sextet Modular Speaker System, among other products that have stood the test of time.

Verdant Audio's Scott Bierfelt and Linn business development manager Rachel Mackenzie presented a fine-sounding room comprised of Linn components.

Benny Audio's Tomasz Franielczyk and Supreme Acoustic Systems's Hiram Toro were on hand to present one of my favorite rooms of T.H.E. Show. SAS's room 219 was also no slouch.

Sharp lines and sculptural forms defined Room 219, presented by Supreme Acoustic Systems, calming my frantic mind immediately upon arrival. Soulnote's Yhusuke Iwashashi and Hideki Kato were perfect hosts, settling my reporter's brain with placid expressions.

Robert Lighton's custom rig included his prototype turntable with a rosewood armboard and customized 10" Audio Note tonearm with a Miyajima Madake MC cartridge. An Audio Note S9 step-up transformer ($28,000) and M9 phono preamp ($185,000) did the analog business. An Audio Note CD 4.1x ($16,000) made music from shiny silver discs.