LATEST ADDITIONS

I wasn't raised a McIntosh lad. My dad used Fisher, Bogen, Leak, and Ampex tubed electronics—and, at one time, even home-built speakers—to keep the house filled with a steady, enriching flow of Mozart. He never owned a Mac component, and, when going upmarket, reached for B&O, alas. So while I knew that many audiophiles hold tubed McIntosh gear—especially the early designs—in very high regard, I was somehow never bitten or smitten. But let's face it—for lo these many years, McIntosh has been for many the name in quality American audio. Take my friend Dan, to whom I've referred several times in the pages of Stereophile. He runs a tubed Conrad-Johnson 9 preamplifier, but wouldn't dream of giving up his 270Wpc solid-state McIntosh MC7270. He's goldurn proud of it!

Record producer and critic John Marks, whose writing has appeared from time to time in Stereophile—his March "As We See It" triggered a deluge of letters—has started John Marks Recommends, a free e-mail newsletter on music and the arts. "Talking about my own work will be the exception rather than the rule," says Marks. "I tell people about great recordings, books, and videos, recipes, and an occasional wine recommendation."

When polled earlier this month, Stereophile's online readers were split on the topic of DVD-Audio's surround capabilities: 30% expressed interest, but an equal number were not so thrilled with the idea. While the release of the official high-resolution DVD-A format is still several months away, some record labels have been quick to capitalize on the ability of current DVD players to play compressed AC3- and DTS-encoded audio DVDs, in the hopes of developing a market for a lower-fidelity surround-sound format.

The computer continues to insert itself into every aspect of daily life. Now it is a source for music from one's hometown—whether that town is across the state or across the ocean.