In the Nirvana C ballroom, Nguyen Phuong of Clarisys Audio USA played his range of Clarisys Audio Panels, of which the smaller Minuet panel had so impressed me at the recent Florida International Audio Expo.
The following interview, with Fyne Audio Technical Director Dr. Paul Mills and Managing Director Andrzej Sosna, conducted by Stereophile Contributing Editor Ken Micallef, was posted previously embedded in a report on Harmonia Distribution's rooms at AXPONA. Here, we present it on its own so that more people will see it.
On Sunday morning, the final day of the show, my main regret was that I hadn’t made it to the fourth-floor Infigo/Alta room a day or two earlier. If I had, I would have encouraged everyone to go listen.
Affable speaker designer Andrew Jones held court in room 334, explaining the details behind his new SourcePoint 888 floorstanding speakers ($4999/pair), an AXPONA world premiere (review forthcoming). Unfortunately, he couldn’t play his speakers due to the hotel’s intermittent Wi-Fi, which plagued many rooms.
Benjamin Britten: Violin Concerto, Chamber Works
Isabelle Faust, violin; Symphonieorchester des Bayerischen Rundfunks, Jakub Hrůa, cond.; Boris Faust, viola; Alexander Melnikov, piano
Harmonia Mundi HMM902668 (CD, reviewed as 24/96). 2024. Sebastian Braun, Julian Schwenker, prods.; Schwenker, Klemens Kamp, engs.
Performance *****
Sonics ****
I sat mesmerized when I first encountered a recording of Benjamin Britten's early Violin Concerto from 1939 (revised in 1958) at an audio show exhibit sponsored by High End by Oz. Ever since I heard those portions of Linus Roth's superbly recorded SACD for Channel Classics, I've longed for a version that would move beyond its strange harmonies and dissonances to reveal all facets of this communicative yet enigmatic work. Isabelle Faust rarely shies away from music conducive to deep thought and feeling; recently she has recorded works by Berg, Schoenberg, Bartók, and Stravinsky. Her hair-raising, emotionally wrought rendition of the Britten concerto, with Jakub Hrůa conducting the Bavarian Radio Symphony Orchestra for Harmonia Mundi, reveals depths and nuances that competing versions only hint at.
First-time AXPONA exhibitor Sierra Sound was founded in 2020 as a distributor for strictly analog hi-fi equipment. Rather high minded, wouldn’t you say? Personally, I’m all in.
Rhythm Distribution’s Craig Hoffman teamed up with Garrard, Goldmund, and Tannoy to unveil a beautiful-looking, primarily analog rig at AXPONA. Kat Ourlian—Global Head of Sales and Marketing for SME—was on hand to spin vinyl; she had Room 660 rocking from the first needle-drop.
Magico turns 20 this year, but founder and chief designer Alon Wolf isn’t the type for gauzy remembrances. In Magicoland, looking ahead beats looking back, so we’ll have to marvel some other time at how the Californian brand has shot to the top of the high-end heap.