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Atmos works best on content intentionally mixed for it. Like you said, stereo music played through the Dolby Surround upmixer is more fun than believable. BUT, playing something like John Williams’ Atmos Blu-Ray recording of him in Vienna is somewhat revelatory.
…..And not for the expected reasons. It’s the *applause*. While the music is indeed immersive, it’s the moments where the audience bursts out in applause that feel like I’m there. It’s a fundamentally different experience than the faux environmental cues of Pro-Logic, or Dolby Digital, or DTS or any other surround technology I’ve heard. I hope you get to experience that at some point.