SSI 2013

Sort By:  Post Date TitlePublish Date
Robert Deutsch  |  Mar 23, 2013  |  0 comments
Audio Plus/Plurison is the importer of the Pathos line of audio electronics. Like Cambridge—another Audio Plus import—these fall into the moderately priced category. The products pictured are the Convert o DAC ($1295) and the Aurium ($1495) headphone amp.
Robert Deutsch  |  Mar 23, 2013  |  0 comments
The Tannoy/Linn room had a nice-sounding setup featuring the Tannoy DC-10S speakers ($17,500/pair), Linn Akurate preamp/media streamer ($9350), and Akurate 4200 four-channel amp ($8360). The speakers were had a very attractive glossy finish, which is now offered as an alternative to the traditional Tannoy satin.
Robert Deutsch  |  Mar 23, 2013  |  2 comments
In a very different financial world than the Wilson/VTL and Magico/Constellation offerings below—and a world that, frankly, I'm much more comfortable in—were the Cambridge range of electronics and speakers. The small Minx speakers in the foreground of the picture above are $200/pair, $599 in a 2.1 setup that includes a subwoofer.
Robert Deutsch  |  Mar 23, 2013  |  0 comments
Another room that made no claim to being anywhere close to "entry level," featured the ultra-expensive Constellation electronics (Virgo preamplifier, $27,500, Centaur monoblocks, $54,000/pair, and Cygnus Media Player, $29,000). The speakers were the Magico S5s; at $29,500/pair, these are below the median of the Magico price range. The sound was admittedly lovely. Pictured (left to right) are Irv Gross of Magico and Peter Madnick of Constellation.
Robert Deutsch  |  Mar 23, 2013  |  2 comments
The train I took from Toronto to Montreal arrived at 2:30pm, right on schedule, so I was able to meet Art Dudley in the hotel lobby at 3:00 to discuss the game plan for covering the 2013 Salon Son & Image. As we pored over the map of the exhibits, Wilson Audio's Peter McGrath (right, with VTL's Luke Manley) came over to us and reminded Art that he had agreed to visit the Wilson/VTL room at 3:30. As it turned out, Art and I decided to cover the show geographically, and the Wilson/VTL room was going to be part of my beat, so I went along with Art.
Art Dudley  |  Mar 22, 2013  |  0 comments
Here’s Philip O’Hanlon of the California-based distribution company On a Higher Note, looking like he just stepped out of a Donovan album. His system he demonstrated for Montreal retailer Coup de Foudre, which I’ll describe in another post, comprised Luxman source components and electronics and Vivid loudspeakers, wired with Cardas cables—and it sounded great, especially considering that Philip’s gear had just arrived the night before!
Art Dudley  |  Mar 22, 2013  |  0 comments
Most of us know Canada’s Solen Electronique as a manufacturer of well-regarded capacitors (they call them condensateurs up here) and inductors, but they offer a wide variety of parts to manufacturers and hobbyists alike. Here we see a selection of hardware, the likes of which you won’t find at your local Home Depot.
Art Dudley  |  Mar 22, 2013  |  0 comments
When an exhibitor installs, near to the door, something as exotically beautiful as the Scheu Analog Cantus tonearm ($1560), it takes me longer than ususal to make my way into the rest of the room. So it was in the exhibit of distributor Charisma Audio, whose lovely and accommodating staff more than justified their name. While there I also enjoyed a system comprising a Well-Tempered Amadeus GTA record player ($4325), EMT TSD 15 cartridge ($1999), Audio Exklusiv P 0.2 phono stage ($`1299), the same company’s P 7 preamplifier ($7999), Calyx Audio Femti amplifier ($2099), and Capriccio Continuo (ATD) Admonitor 311 speakers ($5999). The system, which gave the sense of wanting just little more breathing room—it was arranged along the long wall —did a nonetheless convincing job with Cannonball Adderley’s Riverside album Know What I Mean.
Art Dudley  |  Mar 22, 2013  |  5 comments
The same qualities I strive for in my system at home—a sense of touch and drive, rich sonic textures and colors, musical momentum and flow—seem often to be abundant in the systems put together by the New York-based distributor and retailer High Water Sound. Given that, and the fact that HWS proprietor Jeff Catalano has superb taste in music, I was sad when the time came to leave this room and move on.
Art Dudley  |  Mar 22, 2013  |  3 comments
One could suggest that, having reviewed—and admired—the DeVore O/96 loudspeaker, I am predisposed to enjoying the newest model in that product line, the less expensive but similarly sensitive O/93 ($8400/pair). But even that wouldn’t explain my gut-level positive response to Tsege Mariam Gebru’s solo piano work The Homeless Wanderer (LP, Mississippi Records MRP-025) on the DeVore-fronted system in one of five rooms sponsored by Montreal dealer Coup de Foudre.
Art Dudley  |  Mar 22, 2013  |  First Published: Dec 31, 1969  |  1 comments
Here’s a closer look at the Line Magnetic 218 integrated amplifier, which uses one single-ended 845 triode per side for approximately 22Wpc. At SSI the LM amp drove DeVore O/93 loudspeakers using Auditorium 23 loudspeaker cable ($980 for a 2.5m pair): the same great, green stuff I’ve used at home for the past 8 years.
Art Dudley  |  Mar 22, 2013  |  0 comments
Granted, I know little to nothing about the home theater market, but I thought this was kind of cool: a paint called Screen Goo, available through all Sherwin-Williams dealers, that can be used to transform any flat, paintable surface into a projection screen. This two-stage treatment—a reflective undercoat, topped with a semi-translucent diffusive top coat—is 100% acrylic, with a very low VOC content. Screen Goo is available with different degrees of pigmentation; the photo above compares unity-gain white, on the far right, with two other shades. This company’s biggest market? According to Kevin Nute of Goo Systems, it’s theme-park installations (eg, the Haunted Mansion at Disney World).
Art Dudley  |  Mar 22, 2013  |  0 comments
Early on the show’s first day, the first up-and-running system I encountered was in the Nordost room, where a Moon Evolution 750D D/A converter/disc player ($13,000) and the same company’s 125 Wpc 700i integrated amplifier (also $13,000) drove a pair of Dynaudio C2 Signature loudspeakers ($15,000/pair), using Nordost Frey 2 interconnects and speaker cables and, of course, a full brace of QRT accessories. Playing a Baroque-ensemble recording of unknown origin, the system sounded delightfully clear, open, and un-harsh, with considerable spatial depth.
Art Dudley  |  Mar 22, 2013  |  2 comments
Mark Waldrep of AIX Records was on hand with Tearing it Up, the Albert Lee performance film that was recently featured in Stereophile’s pages. Waldrep also showed off a processor called the Realiser (ca $3000), from Smyth Research, a listener-adaptive device that, in this demonstration, allowed me to hear surround effects just as Mark Waldrep hears them in his own installation. Even this headphone-phobic monophile was impressed.
Art Dudley  |  Mar 21, 2013  |  6 comments
Meredith Gabor shows off a Qv2 “harmonizer,” manufactured in Massachusetts by QRT and distributed by Nordost. The Qv2, which contains both passive and active components, is meant to be plugged into an available AC socket in the user’s listening room, as (electrically) close as possible to the system itself, and is claimed to effectively “clean up” the soundstage and improve detail and resolution. Qv2s, the effects of which are said to be cumulative, sell for $350 each.