Phono Cartridge Reviews

Sort By:  Post Date TitlePublish Date
Michael Fremer  |  Sep 07, 2020  |  First Published: Apr 01, 2020  | 
We're 30 years into a cartridge design revolution, particularly at the top end of the market, where manufacturers charge upward of $10,000 for their best efforts: prices that well-off consumers have amply proved they are willing to pay. There doesn't seem to be an innovation end in sight.
Michael Fremer  |  Aug 19, 2020  | 
How goes your quarantining? Honestly, my life hasn't changed much here. I'm locked in the basement as usual, happy to have a good audio system and overwhelmed by my musical choices. Other than minimizing shopping expeditions and wearing a mask, the biggest change in my life is a spike in requests from readers for upgrade advice. I've never been so busy answering reader emails.
Michael Fremer  |  Aug 04, 2020  |  First Published: Jul 01, 2020  | 
Lately, current amplification–based moving-coil phono preamplifiers have gotten a great deal of well-deserved press. For years, Haniwa's Dr. Kubo has been designing and selling super–low-internal-impedance cartridges because such cartridges work best with such devices. He has also been designing and selling his own current-amplification phono preamplifier.
Guy Lemcoe  |  Jun 04, 2020  |  First Published: Jul 01, 1989  | 
The Talisman S represented, ca 1983, the top of Sumiko's moving-coil cartridge line and shared its design philosophy and external appearance with the Talisman A and B, the remaining two cartridges in the Talisman family before the introduction of the Virtuoso line. The three differed only in cantilever material and stylus shape. The A, the least expensive, had an aluminum alloy cantilever and an elliptical diamond stylus.
Michael Fremer  |  Jun 03, 2020  |  First Published: Jul 01, 1999  | 
How can two meticulously built, high-technology, high-performance, premium-quality moving-magnet cartridges that measure so well (according to their manufacturer-supplied specs) sound so different?
Herb Reichert  |  Jun 02, 2020  | 
My most cherished intangibles—love, beauty, glimpses of higher realms—enter my awareness only after I prepare my psyche to receive them. Extended bathing, lighting candles, making tea, and preparing food are ritual work forms that prepare my senses to accept both pleasure and illumination. In like manner, collecting LPs and storing them properly, setting up turntables, aligning cartridges, and cleaning styli are ritual actions that prepare me for the high moments of focused musical pleasure only a black disc can provide.
Sam Tellig, Anthony H. Cordesman, Michael Fremer  |  May 05, 2020  |  First Published: Sep 01, 1984  | 
I was all set to give up on moving magnets until the new Shure VI5-VMR (MR stands for Micro-Ridge stylus) arrived. In a word, it's terrific. I was slightly disappointed with the original V15-V: I just didn't think it was a significant improvement over the Type IV. What I missed was fine detail—especially in the high frequencies and during heavily modulated passages. The original V was not quite up to the sound of certain moving coils. Which is not to say the original V was a bad buy: moving coils cost twice the price and you need a stepup. I could recommend the original V without hesitation.
Michael Fremer  |  Feb 18, 2020  |  First Published: Mar 01, 2020  | 
Lately it seems that the more Rega charges for one of its turntables, the less you get—and from Rega's performance perspective that's a good thing.

While some turntable designs pile on the mass, hoping to tame resonances and better isolate the record from the outside world, Rega has long advocated ultralow-mass designs. What's up with that?

J. Gordon Holt  |  Dec 10, 2019  |  First Published: Aug 01, 1980  | 
A couple of issues back, we mentioned in passing that the Fidelity Research FR-1 Mk.3F was the only moving-coil cartridge we had heard (as of then) that we would give house room to. (The others had frequency-response problems which so colored the sound that their other strong points were not worth the tradeoff.) That first observation about the FR-1 was based on a couple of hours' listening. Now that we have had an opportunity to live with one of them for a while, we can essentially confirm that first reaction, but with a few added qualifications.
Art Dudley  |  Oct 02, 2019  | 
Godzilla and I are precisely the same age: We were both born in 1954, Godzilla as an expression of the postwar fears of a nation uniquely aware of the horrors of nuclear armaments, I as an expression of the postwar comfort felt by an American veteran fresh from foreign wars. We both dislike being awakened from our slumber, and we're both unusually handsome.
J. Gordon Holt  |  Aug 06, 2019  |  First Published: Aug 01, 1963  | 
We tested two samples of the ADC-1 phono cartridge, both of which were taken from a dealer's stock. One was a demonstrator that had been in use for some months. The other was brand new, right off the shelf. Both were tested in an Empire 98 tonearm and in a Gray 108-C tonearm with its damping lightly adjusted, but results with both cartridges were for all intents and purposes identical in both arms.
Herb Reichert  |  Jul 30, 2019  | 
We were playing some old, cherished black discs when my partner, bb (the 6'-tall Aries artist), declared, "With records you hear touch, and you are not alone." Long pause. "Just holding the cover brings back memories—that's their humanity."
Art Dudley  |  Jul 25, 2019  | 
Products come and go. Some impress more than others, and in our little world, the ones that impress the most wind up in Class A of our semiannual "Recommended Components" feature.

After a product makes it to that list, if Stereophile's reviewers go more than a few years without hearing it again—in a home system or a dealer's showroom or even at an audio show—that product falls off the list, usually quietly. Thus, if a reviewer is maximally knocked out by a piece of playback gear, yet the fates allow neither a purchase nor an extended loan, he or she or someone else on staff must endeavor to borrow it again so it can stay recommended.

J. Gordon Holt  |  Jul 09, 2019  |  First Published: Nov 01, 1962  | 
Editor's Note: This is the very first equipment report that was written by J. Gordon Holt for Stereophile, then called The Stereophile. The venerable JGH appended the following warning: The writer of this report was employed by Weathers Industries during the time when the product in question was undergoing development, so in view of this past association, and the doubt it may cast upon the writer's impartiality, this report probably should not be published, even though the writer left Weathers Industries over a year ago and is not bound by any obligations thereto.
J. Gordon Holt  |  May 30, 2019  |  First Published: Mar 01, 1963  | 
The 880P is a moving-magnet stereo cartridge for use in transcription arms and the few high-quality record changers now available, such as the Garrard Model A and the Lesa units. It has standard ½" mounting centers, and the pickup requires the 47k ohm termination provided by most preamplifiers. The 8mV output, too, is about ideal for nearly all preamps.

Pages

X