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Price-fixing by major record labels isn't confined to the United States. The music industry's "Big Five" (Universal Music, Sony Music Entertainment, Warner Music Group, EMI Group PLC, and the Bertelsmann Music Group) are now under the scrutiny of European Union antitrust investigators, who are looking into the possibility that the companies may have colluded to keep CD prices artificially high in Europe. The Federal Trade Commission (FTC) and music industry agreed to settlehttp://www.stereophile.com/news/10744/">settle; the American version of the issue in May 2000.

In a move that some cynics are calling "the beginning of the end" for the Secure">http://www.sdmi.org/">Secure Digital Music Initiative, the group's director has abruptly resigned. Leonard Chiariglione, who has headed the cross-industry anti-piracy organization since its inception more than two years ago, made the announcement Wednesday, January 24 at the first SDMI meeting of 2001.

Citing the desire to take advantage of the power of sharing audio files over the Internet, one of the larger independent record labels, TVT">http://www.tvtrecords.com/">TVT Records, announced last week that it has withdrawn its copyright claims against the file-sharing company Napsterhttp://www.napster.com/">Napster;. TVT said that the basis for its decision to end the lawsuit and provide its support to Napster is "the new service Napster is evolving under the strategic alliance it recently announced with Bertelsmann AG." TVT points out that, since Bertelsmann is still technically a party to litigation with Napster, it becomes the first record label to fully settle with the beleagured Web company.

February's the month when Stereophile publishes its coveted "Records To Die For" feature, wherein everybody working for the magazine gets to make like a music critic and add their two cents' worth about what gets them excited (musically speaking). R2D4 2001 is on newsstands right now, in the February issue of Stereophile; to commemorate its publication, we add the 2000">http://www.stereophile.com//records2die4/308/">2000 "Records To Die For" to the online archives.

Analog and digital audio technologies should complement rather than oppose each other. That's http://www.rotel.com/"> Rotel's philosophy with its new RDV-1080 DVD-Audio player. Combining the best of Rotel's expertise in both realms, the RDV-1080 offers "stunning audio quality," according to Rotel general manager Michael Bartlett. "The RDV-1080 is Rotel's answer to those who have asked for a DVD-A player that focuses our Balanced Design engineering approach on the unique challenges of this exciting new format," Bartlett said. "Even though it handles the most advanced format today, DVD-A, the RDV-1080 is nonetheless a direct descendant of our world-class CD players." Bartlett says his company is "using everything we've learned to identify and solve problems unique to digital technologies."

Treading the fine line between authorized retailers and the used equipment market, New Jersey online retailer WorldExchange.comhttp://www.world-exchange.com">WorldExchange.com; announced last week that it has launched a consumer electronics shopping Web site that offers "deep discounts" on a broad array of mid to high-end audio/video components whose manufacturers, the company says, normally adhere to "restricted distribution and price-maintenance policies."

One of the hottest audio technologies at the recent CES, as far as the general public was concerned, wasn't SACD, or DVD-Audio, or even new MP3 players. Seemingly coming out of nowhere, digital satellite radio jumped into the limelight by announcing its impending rollout this year. Two companies are poised to compete for the top spot, lining up car manufacturers and CE companies in a classic format battle that is sure to heat up by summer.