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Grokster Decision Leaves Matters Murky

On June 27, the Supreme Court ruled unanimously in favor of Metro-Goldwin-Mayer (MGM), agreeing that peer-to-peer file-sharing services such as StreamCast Networks and Grokster could be held responsible (read: be sued) if they encouraged their users to infringe copyrights. This will return the "MGM vs Grokster" case to a lower court, where it will be determined whether or not the P2P companies encouraged their users to violate copyright laws.

Peer to Peer's Promise

The music industry has been telling us for years that peer-to-peer (P2P) file sharing is a bad thing. But a New York company has decided the record labels had it wrong and that it merely needed to harness P2P's power.

Industry Bits & Bobs

Good Morning America: The war for listeners between XM Radio and Sirius Satellite Radio has seen MLB go to one broadcaster (XM) and Howard Stern to the other. On June 21, Sirius announced an agreement that will put the BBC's popular Radio 1 on a time-shifted broadcast schedule. The time-shift will enable American listeners to hear Radio 1's broadcast day "as it was intended—with Chris Moyles' Breakfast Show in the morning, Scott Mills' show in the afternoon, and kicking off the weekend with Pete Tong's Friday night Essential Selection," according to a press release.

Soundsareactive.com Offers Multi-Platform Subscription Package

Soundsareactive.comhttp://www.soundsareactive.com/catalogue.php?album=sub2005">Soundsareac…;, an eclectic independent label specializing in "jazz/improv, experimental hip-hop, and electronic artists," is offering a subscription package for its 2005 release schedule. For $35 (US price; the international price is $50), the label will send monthly downloadable MP3 (192kbps) releases for the rest of 2005, four "physical" CDs, and a "tour" DVD titled XN+.

DRM Confusion Delays Digital Future

Forget SACD vs DVD-Audio or even DualDisc. DRM, or digital rights management, has become the biggest audio format issue this year, and will likely continue to be for the next several years. At stake is the future of all consumer interactions with, and uses of, copyrighted digital media.
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