News

You probably heard the news: record claims for unemployment benefits, indeed, five times the previous record from 1982. Our economy has never been shut down quite so completely and suddenly. Those most affected are service workers: cooks, waiters, retail clerks—and the people who make the music we love.

In a press release issued just a few minutes ago, the organizers of the Montreal Audiofest announced plans to reschedule their postponed show for 15–17 May, the original dates of the now-canceled High End Munich show.

Monday, March 9, 2020 AXPONA, the largest audio expo in the Western hemisphere, has moved its dates at Chicago’s Renaissance Schaumburg Hotel and Convention Center to August 7–9.

(February 28) High End 2020, aka Munich High End, has been canceled “due to the current worsening trend with respect to the spread of the novel coronavirus.”

January's Industry Update included a report on a scientific article presented at last year's AES meeting, in which the authors used test tones and a modest audio system (albeit in an anechoic chamber) to prove that listeners can discriminate between high-rez and CD-rez audio. This is important because scientific evidence of an audible difference between high-rez and CD-rez music is considered weak by some, even as anecdotal evidence grows stronger by the day.

As I pondered this, I recalled a recent paper I'd seen in the Journal of the Audio Engineering Society but hadn't yet read. "High Resolution Audio: A History and Perspective," which the AES has made available free online, does precisely what the title says: reviews the history of digital audio beyond CD-rez and frames the issue of high-rez audio's audible superiority on the basis of the available evidence.

On Thursday, February 13 from 5 to 9pm, Manhattan retailer Sound By Singer will present a musical evening centered around the Gryphon Audio Designs Ethos CD player/DAC. Alongside host Andrew Singer, Philip O'Hanlon of On A Higher Note—Gryphon's North American distributor—will demonstrate the Ethos with hand-curated selections . . .