News

You probably heard the news: record claims for unemployment benefits, indeed, five times the previous record from 1982. Our economy has never been shut down quite so completely and suddenly. Those most affected are service workers: cooks, waiters, retail clerks—and the people who make the music we love.

With the COVID-19–related cancelation of Munich High End and the postponement or cancelation of other national and regional audio shows, smaller, local events such as Seattle’s 15-year old Music Matters event, which returned to Definitive Audio Seattle on March 5–6, have gained importance—at least as long as they are able to avoid being shut down.

In a press release issued just a few minutes ago, the organizers of the Montreal Audiofest announced plans to reschedule their postponed show for 15–17 May, the original dates of the now-canceled High End Munich show.

Monday, March 9, 2020 AXPONA, the largest audio expo in the Western hemisphere, has moved its dates at Chicago’s Renaissance Schaumburg Hotel and Convention Center to August 7–9.

Thursday March 19th, 5–8pm: Shelley's Stereo, 22102 Clarendon St. in Woodland Hills, CA, will host representatives from Yamaha for a Yamaha 5000-series listening party.

On Friday, February 28, 3–7pm, Audio Advisors, at 2271A Palm Beach Lakes Blvd., West Palm Beach, Florida, will present the new Wilson Audio Chronosonic XVX loudspeaker. Wilson's Peter McGrath will be there. Space is limited so please R.S.V.P. to Rudi, either by email rkothe@audioadvisors.com or phone, at (561) 478-3100.

January's Industry Update included a report on a scientific article presented at last year's AES meeting, in which the authors used test tones and a modest audio system (albeit in an anechoic chamber) to prove that listeners can discriminate between high-rez and CD-rez audio. This is important because scientific evidence of an audible difference between high-rez and CD-rez music is considered weak by some, even as anecdotal evidence grows stronger by the day.

As I pondered this, I recalled a recent paper I'd seen in the Journal of the Audio Engineering Society but hadn't yet read. "High Resolution Audio: A History and Perspective," which the AES has made available free online, does precisely what the title says: reviews the history of digital audio beyond CD-rez and frames the issue of high-rez audio's audible superiority on the basis of the available evidence.