Hi-Rez Disc Player/Transport Reviews

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Chip Stern  |  Apr 12, 2001  | 
Having the Philips SACD1000 in my system promoted me to spill some ink about the Sony SCD-777ES. In the months I've had this SACD player in my system, my experience of music has been enhanced to the point where I feel more and more confident about the aural judgments I'm called on to make—because I'm convinced that I'm listening to a digital source on which I can bet the ranch.
Jonathan Scull  |  Feb 01, 2001  | 
What's it take to compete on the bleeding edge of digital? Foresight, commitment of resources, and lots of money. Of course, it's all fundamentally about money, so we shouldn't be surprised that the audiophile's emotional needs aren't paid much respect by the large international manufacturing and marketing concerns stalking the earth today. Megaglom vs Cockroachacus. [Sigh] Where are those pesky miniature princess twins when you need 'em?
Jonathan Scull  |  Nov 23, 2000  | 
If you search for "DVD-A" on this website, you can get the whole confusing story of the format, which has been the subject of one of the strangest format launches of recent years: First it's on, then it's off. The watermark is audible. No, it's not. Oops, it is—back to square one. There's software, there's no software. (There's not—only one demo disc officially available in September 2000, when I wrote this review!)
Jonathan Scull  |  Sep 24, 2000  | 
At last, a SACD machine from someone other than Sony! This time, it's a Marantz—the Reference Series SA-1, described as a no-compromise "ultimate-quality" player.
Kalman Rubinson  |  Feb 13, 2000  | 
I am biased: On very little evidence, I remain convinced that, in the near future, high-quality music reproduction will be multichannel. While most multichannel demos are still egregiously and aggressively ping-pong, I have attended a few successful demonstrations of discrete multichannel reproduction that have impressed me so deeply that I hunger to have all the music I love transported to me (and me to it) in this way.
Jonathan Scull  |  Nov 12, 1999  | 
Rarely have I anticipated the arrival of a review component as I did the Sony SCD-1 Super Audio CD player. I'd first heard the machine itself with the enthusiastic audiophile hordes at Chicago's HI-FI '99. I'd also been lucky enough to enjoy a few of the Direct Stream Digital-encoded recordings Tom Jung had made for DMP right off the hard drives of a prototype DSD processor via Ed Meitner electronics. (See my interview with Jung elsewhere in this issue.)
John Atkinson  |  Jan 02, 1996  | 
As I write these words, it's the height of the fall catalog season in the Atkinson household. Whole old-growth forests must have died to ensure the everyday stuffed state of our mailbox, which adds to the sense of guilt I feel as I pitch the offenders into the trash without even giving their insides a passing glance. But there are three catalogs I do look forward to receiving, that I read from cover to cover, that I deface with multicolored Post-It notes. The Audio Advisor catalog is, of course, a no-brainer for an audiophile. But the Griot's Garage and Levenger catalogs get equal billing from me. For both offer tools (used in the widest sense of the word) that appear to have been designed by people who actually use tools, who appear to care about quality, and who appear to feel that a product that breaks while it is being used for its intended task is an offense against God (footnote 1).

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