Headphone Reviews

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Tyll Hertsens  |  Apr 28, 2011  |  0 comments
This story originally appeared at InnerFidelity.com

Yes, historic. The Beyerdynamic DT 48 model has been in continuous production in a variety of forms since 1937. That's pretty historic ... I can't even remotely think of another headphone like that.

Let's take a look ...

Tyll Hertsens  |  Apr 21, 2011  |  0 comments
This story originally appeared at InnerFidelity.com

Whenever I can, I spend time on the back of this beast: a 2005 Yamaha FJR 1300 super sport touring bike. This baby eats continents. I once left Bozeman, Montana in the morning and slept in a cornfield in Iowa that night. I really dig long-distance travel --- the gradual and ever-changing scenery, weather, and geology punctuated with little towns and churches is mesmerizing. Nonetheless, I need my tunes to complete the experience, and it took me a good long while to find just the right headphones to accompany me on my journeys.

Tyll Hertsens  |  Apr 18, 2011  |  0 comments
This story originally appeared at InnerFidelity.com

Great guitar amplifiers are great because they produce a lot of distortion. I wonder what a great guitar amp maker thinks a headphone should sound like?

Well, here’s our chance … I guess. The Marshall Major ($99) is a mid-size, earpad, sealed headphone, but is actually made by Zound Industries of Sweden. Yes, this is another lifestyle headphone from the makers of Urbanears. I have no idea how much input Marshall had in the design and approval, but let’s give the Major a chance. Throw the drum-kit in the back of the Econoline and we’ll go for a ride to Rock ‘n Roll with the Marshall Majors.

Tyll Hertsens  |  Apr 12, 2011  |  1 comments
This story originally appeared at InnerFidelity.com

Back before the Sennheiser HD 800 broke the $1000 high-end headphone barrier and started a flurry of ground-breaking new reference cans, there were three staples for enthusiast searching for great sound: the Sennheiser HD 650 ($649.95 MSRP); the AKG K701 (now reincarnated as the Quincy Jones Q701; $399 MSRP); and the Beyerdynamic DT 880 ($313.95 MSRP). All three, in my mind, remain good value when properly chosen for your listening tastes. (HD 650 – warm and smooth, though somewhat lacking in detail; AKG K701 – articulate, but slightly hard; DT 880 – detailed with depth and air, but somewhat lacking weight through the mids.)

A rather cool and unusual feature of the Beyer DT 880 is that it is available in three different impedance values in order to give you better options in suiting them to your needs. I thought it would be fun to have a look at the three different versions, and evaluate their suitability to home, portable, and general use.

Read on for the techno-geekly details, but go ahead and skip to the summary if you just want the recommendations….

Tyll Hertsens  |  Apr 04, 2011  |  0 comments
This story originally appeared at InnerFidelity.com

I didn’t really want to like these headphones. They didn’t sound as I had hoped, and they’re really not made for a guy like me. I wear sweat pants and t-shirts mostly; I wrench on old dirt bikes sometimes; I think camping and not taking a shower for three days rocks. The B&W P5 would feel far more at home tucked into a pig-skin valise on the front seat of a Ferarri than on the picnic table next to the BBQ on my back porch.

Yet there it was … day after day … week after week.

Tyll Hertsens  |  Mar 28, 2011  |  0 comments
This story originally appeared at InnerFidelity.com

Q: Why is a university librarian like a fourteen year old skateboarder?
A: Both would love a pair of Beyerdynamic DT 235 headphones!

The Beyerdynamic DT 235 ($57.65, available in black and white) is about as attractive as a brick. But it's also as durable and useful, not nearly so heavy, and sounds way better. This plain-Jane headphone is perfect for library listening rooms, museums, dentist chairs, and all manner of utility applications ... including the one where you give it to a kid who can break a bowling ball in a padded room.

Tyll Hertsens  |  Mar 27, 2011  |  0 comments
This story originally appeared at InnerFidelity.com

Oh Nooooos!
I was at the Consumer Electronics Show earlier this year for my first face-to-face meetings with my new boss and his boss from Source Interlink Media about the InnerFidelity start-up, when out of the blue the boss's boss says, "Say, I've got a meeting with Skullcandy this afternoon, you should come."

Ruh roh.

We high-end headphone geeks don't take too kindly to headphones painted up with pink kitties and cartoon monkeys, so I try to opt out gracefully, "Aw, geez, I dunno, they're not really my thing. They're pretty and all, and Skullcandy is a very popular maker, but I think I'm more interested in the more serious and sound quality oriented brands."

*silence*

"You should come."

"Yes, boss..."

Stephen Mejias  |  Mar 21, 2011  |  3 comments
Thinksound ts02 in Black Chocolate finish.

I haven’t had much luck with in-ear headphones.

Kelli’s Etymotic ER-6i earphones ($99) offered a well-balanced sound, with satisfying bass and natural highs, but I found them extremely uncomfortable and I had a difficult time getting them to fit properly in my ear canals. I liked Shure’s SE210 ($149.99) and SE115 ($139.99), but they felt large and heavy in my ears, and friends often balked at their prices. Don’t get me started about the V-MODA Remix Metal in-ears ($99.99); their highs were so pronounced and glaring and bass so completely absent, I wanted to run away from my music—never a good sign. (But I’ll take the blame here: I should’ve known what to expect from an earphone with the word “Metal” in its name. I have since steered clear of models designed to look like bullets, arrows, and jet engines or whose product literature uses the words “crisp,” “sharp,” or “edgy.”)

Tyll Hertsens  |  Mar 21, 2011  |  0 comments
This story originally appeared at InnerFidelity.com

Promises Kept
My first post was an exercise in getting all the bits-and-pieces together to create content. In many ways this is my first real post here ... and I want to keep a promise. For years I've said I would measure the effects of the various headphone pads on Grado headphones; well, I am very glad to say finally: here it is.

Tyll Hertsens  |  Mar 19, 2011  |  0 comments
This story originally appeared at InnerFidelity.com

The Sennheiser PX 200-IIi (MSRP $149.95) is a general-purpose headset, ideally suited and convenient for kids, students, and casual home, office, and travel use. It’s light and small, very well built, and will easily survive unending rounds between backpack, computer desk, and kitchen junk drawer. Best of all, it packs neatly into a very small size with a unique folding design making it only slightly larger than a pair of sunglasses when stowed.

John Atkinson  |  Dec 27, 2010  |  0 comments
Headphone listening is hot these days, due not only to the ubiquity of the iPod as a music source but also because it is possible to get state-of-the-art headphone playback without having to have stupidly bottomless pockets. A plethora of affordable high-quality headphone amplifiers are available, and high-performance 'phones can be had for a few hundred dollars. Used with a computer or iPod to play uncompressed WAV or AIF files or losslessly compressed FLAC or Apple Lossless (ALAC) files, a headphone-based system can offer the audiophile on a budget seriously good sound.
Kalman Rubinson  |  Nov 29, 2010  |  2 comments
I remember my first experience with headphones. In 1960, I bought a set of Trimm dual 'phones (less than $5) and rewired them for stereo. The experience was remarkable for several reasons. First, it brought the sounds into my head—I was thrilled with the impact. Second, stereo effects, especially with Enoch Light's ping-pong LPs (eg, Provocative Percussion, Command RS800SD), were striking. Third, I could play them really loud without bothering others. Of course, they had no bass, brittle treble, distorted at high levels, and their wire headband and Bakelite earpieces were uncomfortable. My fascination with this gimmick quickly faded.
Thomas J. Norton  |  Sep 07, 2010  |  First Published: Feb 07, 1994  |  0 comments
You'd probably be surprised to learn that headphones are the most common means for listening to music. No, I didn't get that from a book, but from personal observation. I'm referring here to personal portable stereo listening—the ubiquitous Jogman with which a whole generation has retreated into its own private world, isolated from traffic noise, muggers, and, at home, housemates or parents screaming "Turn it down!"
Thomas J. Norton  |  Aug 30, 2010  |  First Published: Feb 02, 1994  |  0 comments
While headphone listening remains secondary to that of loudspeakers for most serious listeners, it's still an important alternative for many. And while good conventional headphones exist, electrostatics are usually considered first when the highest playback quality is required. As always, there are exceptions (Grado's headphones come immediately to mind), but most high-end headphones are electrostatic—such designs offer the benefits of electrostatic loudspeakers without their dynamic limitations. Last year I reviewed the Koss ESP/950 electrostatics (Vol.15 No.12), a remarkable set of headphones from the company that practically invented headphones for serious home listening. Here I listen to examples from two other companies, each known for its headphones since Pluto was a pup.
Wes Phillips  |  Aug 15, 2010  |  First Published: Aug 16, 2010  |  1 comments
Ah, how the times change. When I reviewed Etymotic Research's ER-4S in-ear headphones in the July 1995 Stereophile, they seemed expensive to me at $330, but well worth that seemingly high price: at the time, they were the best headphones I'd heard. Nowadays, with reference headphones costing well north of a kilobuck, the price of the ER-4S seems relatively reasonable.

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