Digital Processor Reviews

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PS Audio Digital Link II D/A processor

Looking at the Digital Link II's build quality and circuitry, it's hard to believe that it can sell for $499 at retail. The Digital Link II shares the same appearance as PS Audio's SuperLink and UltraLink processors, but has a 4"-shorter chassis. The ¼"-thick front panel uses PS Audio's familiar touch-sensitive switches that turn the unit on and select between coaxial and optical inputs. LEDs above these switches indicate when the unit is locked to the digital source. A third LED illuminates when power is applied.

Music in the Round #100: Multichannel & Merging Anubis

This is the 100th and—surprise!—final edition of Music in the Round. MitR began in mid-2003, shortly after SACD and DVD-A discs made high-quality multichannel music convenient and widely available. At the time, I was convinced that multichannel reproduction was superior to stereo because it was able to reproduce the full sound of the performance—not just the performers. Stereophile's founder, J. Gordon Holt, had promoted this idea many times, but the appearance of the new media finally brought it to a wider audience.

dCS Bartok D/A processor/headphone amplifier

The Vivaldi—the four-box flagship product from digital audio specialists dCS—is, in my opinion, misnamed. Vivaldi the composer was an asthmatic priest who worked in an orphanage for 30 years and died in poverty. The Vivaldi stack dedicates four separate products to converting into music digital code stored on silver discs (although you can play music—very well I am sure—on just one box, the Vivaldi DAC, footnote 1). Together, those boxes weigh about 148lb and cost some $115,000. The most expensive is the CD/SACD transport; leave that off and you can save 51lb and $42,000.

Sumo Theorem D/A processor

The $799 Theorem was originally shown at the 1992 WCES in a very small chassis that prohibited adding features or upgrades. Sumo has since become more ambitious, putting the Theorem in a full-sized chassis and offering several upgrade options that would have been impossible in the truncated version.

Theta Digital Cobalt 307 digital processor

One measure of a high-end product designer's talent is the musical success of his top-of-the-line product. This is his statement to the world of what he can accomplish—a kind of "personal best" that defines the upper limits of his talent. Because he knows of no way to make the product better, the component stands as the ultimate testimonial to his skill.

Music in the Round #99: Revel & exaSound

There is necessity as well as comfort in having a long-term reference recordings and, system. The necessity derives from the familiarity with the reference that allows for comparisons and contrasts with the equipment being tested. The comfort that comes from the familiarity lets me relax and enjoy recreational music, relieved from the need to focus my attention intently on the sound. I do relish getting my hands on lots of interesting audio equipment and getting to play it in my own home, but it's like a two-month one-night stand: The new stuff usually goes back even if I am impressed. I don't change my audio equipment often.

Mytek Brooklyn Bridge streaming DAC/network server

A DAC/preamp/headphone amp from Class A of Stereophile's list of Recommended Components, updated with streaming and network-server capabilities—and it still sells for less than $3000? If you believe that, I have a bridge I'd like to sell you. (Har, har!)

Most Americans have heard that line before, but many may not know the story behind it—I didn't. George C. Parker, a real American person born in 1860, is famous for perpetrating audacious frauds, specifically sales of property he did not own and could not possibly have owned. He is reported to have sold the Statue of Liberty, Grant's Tomb, the original Madison Square Garden, the Metropolitan Museum of Art, and—most famously—the Brooklyn Bridge that last one twice a week for several years, at prices ranging from $75 to $5000. Or so some say.

Music in the Round #98: Trinnov Altitude 32 & Essence Evolve II-4K

As I wrote before in these pages, I have long been acquainted with French electronics manufacturer Trinnov. Years ago, at an Audio Engineering Society convention in New York, a Trinnov rep used a mastering console equipped with their processor to move, at will, the sounds of instruments around the 3D soundstage and left me thoroughly impressed. That was before my conversion from stereo to multichannel music listening, and before the blurring of borders between home theater and mainstream audio.

Theta DS Pro Generation V digital processor

Some high-end audio companies develop reputations for having a particular "sound." This reputation develops when every product the company makes has a similar sonic flavor. These products appeal to certain customers who like the company's sound, and who therefore tend to stay with that company's products year after year. Unfortunately, such an approach can limit a manufacturer's appeal to a broader audience.

Theta DS Pro Generation III digital processor

A visiting manufacturer recently expressed the idea that digital processors and transports are the worst value in high-end audio. He contended that, because they all sound bad, their differences and degrees of imperfection are meaningless. In his view, the very best digital differed very little from the worst. His advice? Buy a moderately priced CD player and enjoy your LPs.
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