With the assumption of audiophile Cliff Duffey (above) as President of AXISS Audio USA (aka AXISS Distribution Inc.), and the addition of T.J. Goldsby as Vice President of Sales and Dealer relations, the company has added more lines than can comfortably fit into a headline.
Just as I dashed into the Expo Hall to check out Coherence Systems' ADD-POWR SorcerX4 ($4399.95) and smaller Apprentice ($3299.95) harmonic conditioning devices, Bill Stierhout (above) was packing up. We just had enough time to snap this photo before his booth became a booth no more.
As an enterprising Stereophile reporter, I do my homework. When I saw that Alex Sound Technology, of Windermere, Florida, was bringing the gorgeous Japanese Takatsuki 300B TA-S01 SET amplifier ($32,000, 8Wpc, new to the USA), along with new Japanese brand Sforzato (below), including their DST-050EX network transport ($4600), DSC-030EX Zero Link DAC ($9900), DSP-030EX Network Player ($9900), and PMC-015EX Master Clock ($4990), plus the Blumenhofer Acoustics Genuin FS 2 Mk2 horn-loaded loudspeakers ($22,850/pair), a bee flew into my Southern man's bonnet and I requested room coverage to major domo Jim Austin.
When I first heard JMF Audio components from France at AXPONA 2022, I had no idea that, paired with the right speakers, they would produce heavenly sound. But in the room jointly sponsored by Fidelis Distribution, who handles Harbeth loudspeakers, and Audio Skies, which distributes JMF Audio and Ideon Audio, the mating of JMF with Harbeth delivered some of the finest-sounding music I heard at AXPONA 2023.
The Analog Matters room, presented by Big Ear Consulting LLC and original AXPONA cofounder Steve Davis, debuted a variety of components, including the return of (wait for it) Plinius!
Acoustic Sounds' Chad Kassem has every reason to look as happy as he does here, because this really has become a new golden age for vinyl, with so many high-quality reissues of classic albums on vinyl that it's hard to know where to start.
Credo Audio Switzerland's Cinema LTM loudspeakers ($199,995/pair) may have towered above all else, but the gear from EMM Labs and their lower priced Meitner Audio line, van den Hul, VPI Industries, and DS Audio displayed in another "give it all you've got" large room was nothing to scoff at. Though I've grown tired of the overblown sound on Gary Karr's LP, Adagio di Albinoni, I was awed by the midrange beauty of Sara Barreilles's voice on a 24/88.2 file of "Goodbye Yellow Brick Road." The recorded sound of this live performance seemed uncannily real, and the soundstage was awesome.
Electrocompaniet of Norway, too long absent from this writer's high-end radar, celebrated its 50th anniversary by showing the new AW 800M Nemo 2 800w monoblocks ($45,000/pair), EC 4.8 MKII reference preamp ($4900), EMC 1 MKV Reference CD player ($6800), ECM 1 MKII Media Center (a media player & streamer with DAC and preamp output, $5700), and ECP 2 MK II MM/MC phono amp ($2900). To celebrate the occasion, Lasse Danielsen, Sales and Marketing Director Electrocompaniet (left in photo) and Bjorn Kindingstad, company CEO (right), journeyed to AXPONA.
The room was noisy, and the switching between selections a classic case of trackus interruptus. Nonetheless, the ability of Atohm's GT1 bookshelf speakers ($4499/pair) to convey bass far more powerful than one might reasonably expect from speakers of their size left me smiling. I was smiling as well because the first demo track chosen to display this wonder was one I occasionally reference for color, texture, and speed: Yosi Horikawa's "Bubbles" (16/44.1Tidal/First World Records).
I'm an unabashed Audio Note fanboy. You got a problem with that? Audio Note lives deep in not only my sonic soul (an Audio Note M2 Pre was my first serious hi-fi purchase), but those of colleagues Herbert Reichert and Michael Trei, Audio Note distributors back in the 1990s, when tubes were cheap and the only thing Upscale Audio's Kevin Deal sold!
Audio Note returned to AXPONA with nothing to new to spring on the hungry (really) crowds, only the same consistency of sound major domo Peter Qvortrup has offered for decades.
If you wanted to hear an admirably smooth, solid, all-of-one-piece system with a huge soundstage and extremely fast and firm bass, Ed DeVito's Audio-Ultra exhibit was one of the best to visit. It was also the only room where you could hear CH Precision gear with the latest upgrades and the diminutive Magico A1 standmount loudspeakers ($9400/pair in silver finish).
It's a rare occurrence when this hi-fi reporter experiences sonic serendipity, so when it strikes, I'm all in from the downbeat. Such was my good fortune with my first AXPONA assignment of the day, covering the hallowed sound room presented by Nashville's AXISS Audio.
AXPONA (Audio Expo North America), the largest audio show in North America, will get underway April 1416 in the Renaissance Schaumburg Hotel & Convention Center in the Chicago suburbs. As exhibitors begin the often challenging task of assembling their gear, Jim Austin, Ken Micallef, Michael Trei, Rogier van Bakel, et moi prepare ourselves for the discoveries that lie ahead.
Colorado's Ayre Acoustics jammed a big system into a small room at APXONA, wall-to-wall attendees barely leaving space for Ayre's president, designer, and Chief Ayre-Head Ariel Brown to press the flesh and discuss the gear.