Audacious Audio

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John Atkinson  |  Sep 17, 2020  | 
Although it was founded by ex-Siemens loudspeaker engineer Oliver Göbel in 2003, I am embarrassed to admit that I had never heard of Göbel High End until I visited the room hosted by Florida retailer Bending Wave at the 2019 AXPONA. There, I listened to the German manufacturer's ginormous $220,000/pair Divin Noblesse loudspeakers, which were making their US debut. I was impressed by what I heard. I was interested, therefore, to learn that Göbel was introducing a smaller Divin model, the Marquis, which would not be too large for my listening room and would be priced at $80,000/pair.
Michael Fremer  |  Jul 14, 2020  |  First Published: Aug 01, 2020  | 
The two biggest sonic jolts I've experienced involving phono preamps were from two very different ones: the Petr Mares's Connoisseur 2.0 and Boulder's 2008, which was reviewed in the July 2002 Stereophile. The first was hand-built, single-ended, housed in a wooden case, limited to 100 units, and, when I got to hear it in the mid-1990s, cost around $6000, or about $10,000 in today's dollars. The other was a feature-laden, double-chassis monument to flexibility and surface-mount high technology. It featured beautifully finished, flush-mounted mirrored buttons your fingers just wanted to press.
Michael Fremer  |  Jun 19, 2020  | 
Achieving room-filling, high-quality sound in a hotel room is difficult enough. Getting it in a cavernous ballroom is even more problematic. Yet, over the past few years at AXPONA, RMAF, and most recently at the February 2020 FLAX (Florida Audio Expo), Von Schweikert Audio, in association with The Audio Company of Marietta, Georgia, has managed that—and, other than the approximately 100 bodies occupying every seat in the house, they've done it without any room treatment, or without any that I could see.
Michael Fremer  |  Apr 18, 2020  | 
VAC's Statement 452 iQ Musicbloc amplifier ($75,000 for a single amp; $150,000/pair mono, as reviewed) is tall, young, and lovely, but unlike the girl from Ipanema, it isn't tan. Nor, at 280lb in its flight case, is it likely to "go walkin'." Getting the pair moved into my listening room required considerable effort—fortunately not mine.
Michael Fremer  |  Mar 24, 2020  | 
Designing and building a turntable isn't all that difficult. All that matters is in plain sight: Start with a base of wood, MDF, or acrylic; add some isolation "feet" for it to rest upon, and a spindle bearing such as any competent machine shop can fabricate, topped by a platter of acrylic or aluminum or suchlike. The motor can be an off-the-shelf AC synchronous type, fed directly by the electricity from a wall socket.
Jason Victor Serinus  |  Jan 29, 2020  | 
I thought I knew what a preamp could do. But when the Dan D'Agostino Master Audio Systems Momentum HD preamplifier ($40,000) arrived for review, all my expectations flew out the window.
Sasha Matson  |  Dec 20, 2019  | 
There is change, and also continuity, at Wilson Audio Specialties, the company founded in 1974 by recordist and loudspeaker designer David A. Wilson. David's son Daryl Wilson was appointed president and CEO in 2016. David Wilson passed away in 2018. And in 2019, Wilson Audio Specialties released the Sasha DAW loudspeaker ($37,900/pair), designed by a team led by Daryl Wilson and named in honor of his father.
Jason Victor Serinus  |  Dec 19, 2019  | 
What kind of creature is this? Gryphon Audio Designs' new Ethos ($39,000)—pronounced EE-toss by its Danish manufacturers—is marketed as a CD player and digital-to-analog converter. It's decidedly au courant in that it includes two 32-bit/768kHz ES9038PRO Sabre DAC chips—one for each channel—with each holding eight individual DAC chips; offers optional upsampling to either 24/384 PCM or DSD128; and decodes up to 32/384 PCM and quadruple DSD (DSD512) via its USB input, or up to 24/192 (and no DSD) via AES/EBU or S/PDIF.
Michael Fremer  |  Oct 17, 2019  | 
What's the point of reviewing a pair of monoblock amplifiers that costs more than most people spend on two or even several cars— and far more than most audiophiles spend on an entire music system? That's a good question. Another is: Why should I write this review when, just seven years ago, I reviewed a pair of darTZeel monoblocks that look exactly like this new pair?

I realize that products such as the darTZeel NHB-468 ($170,000/pair) are for the very few, but the very few include far more people throughout the world than you may realize— people who can afford such costly audio products and who do buy them. I know, because in my travels I've met a lot of them, and they deserve to read reviews of products they're considering buying—things most of us can only dream of owning.

Brian Damkroger  |  Jul 04, 2019  | 
Earlier this year, I had the opportunity to spend a couple of afternoons listening to a system built around the late David Wilson's magnum opus, the Wilson Audio WAMM Master Chronosonic loudspeaker ($685,000/pair), which Jason Victor Serinus reported on in December 2016. In addition to the joy of simply listening to music on such exotic speakers, the experience provided insight into just how well the Master Chronosonics would work in a relatively normal-sized listening room—in this case, one measuring 21.5 feet long by a little over 18 feet wide, with a ceiling height of a little over 9.5 feet: not small in an absolute sense, but a lot smaller than the sort of space usually associated with speakers this large.
Michael Fremer  |  Jun 25, 2019  | 
CH Precision's massive, versatile, technologically sophisticated, 165 lb M1.1 power amplifier ($54,000 configured for stereo) can easily crush your foot if you're not careful when installing it. But the more important consideration is this: Can this cool gray techno-square sing and dance without stepping on its own feet?
Jason Victor Serinus  |  Apr 25, 2019  | 
I first encountered Verity Audio's Monsalvat Amp-60 stereo power amplifier ($58,000) in October 2017, in one of the largest single-system rooms at the Rocky Mountain Audio Fest. After hearing the Amp-60 and Verity's Monsalvat Pre-2 preamplifier drive Verity's Lohengrin IIS loudspeakers ($133,000/pair), I enthused about the "most impressive range of colors and supreme sense of spaciousness" that contributed to the system's "absolutely beguiling" sound.
Art Dudley  |  Dec 20, 2018  | 
There's no place for fashion in epidemiology, aeronautical engineering, or the mining and storage of uranium. Fortunately, domestic audio is less serious, its goals more scattered and ambiguous, than those and a thousand other pursuits.

And so, throughout the 20th century, any number of trends in domestic audio popped up their heads, some remembered as fads, others as legitimate approaches to playback. Among the latter are amplifiers whose output sections operate in single-ended mode, in which the entire signal waveform is amplified by a single device.

Anthony H. Cordesman  |  Nov 15, 2018  |  First Published: Jun 01, 1986  | 
Some audio products deliver truly superb sound of a kind that really makes all the frustrations of building a high-end system worthwhile; they also require exceptional attention and care. The Counterpoint SA-4 is a case in point. With the right speakers, it competes for the title of "Most Transparent Amplifier Available at Any Price." On the other hand, this amplifier steadily loses output power as speaker impedance drops; it must be carefully matched to the right speaker. Then, and only then, can it produce one of the finest musical experiences available.
Steve Watkinson  |  Nov 13, 2018  |  First Published: Sep 01, 1986  | 
The great debate that has long separated audiophiles is tubes vs solid-state. Other topics, CD for example, may temporarily steal the spotlight, but year-in and year-out no other subject is the cause of as much controversy as whether tubed or solid-state circuitry produces the more accurate sound. As is typical with long-standing feuds, the split runs deep, and tempers often flare.

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