Ariel Bitran

Friday–Sunday, April 13–15, 10am–8pm: Stereo Exchange (627 Broadway, New York, NY) will host a weekend-long series of demonstrations from key players in the hi-fi industry including but not limited to an Einstein-haired speaker designer, young gun salesman, and the king of kables.

It has been a strange winter. Now approaching what is formally known as spring, I’m not sure if we ever even made it out of autumn! Forty-five degrees Fahrenheit in the middle of February in New York City? What in the hell is going on?

Similar to how the seasons from 2011 to 2012 have melded together into the longest autumn, the shipping out of each issue of Stereophile becomes a blur as well. As I discussed in my last on newsstands March article, we are never really sure what month we are living in here at the Stereophile office, much less the month of the issue we are working on, except for when we are compiling April Issue. We always know when we’re working on the April.

Why’s that?

Over @Stereophile, we received a tweet from follower Henry Gessau:

Henry Gessau. Henry Gessau! Who is this mysterious chap? He must be some time-travelling, sound-saving avenger! Color photography was not widely available until the 1950s, so based on his profile picture, Henry must have lived sometime between the years 1850 and 1950 and then tweeted into the future! But forget the man. What about his message?

As we sent the March issue for delivery to the printing presses, the April issue sat in queue for multiple rounds of edits. At the same time, the editors, writers, and a lowly editorial assistant lay the building blocks for the May issue to be released two months away. With the constant influx of communication regarding dates present, future, and future’s future, it is hard to know what month we are ever really living in, and it is a time-bending wonder whenever the new issue of Stereophile shows up on our desks. So with great excitement, we announce to you Stereophile March 2012, Volume 35, Number 3.

Here at the Stereophile office, we listen to lots of different tunes ranging from Bach to Fucked Up to Sylvester, but in the Bitran/Mejias cubicle, there has been a recent resurgence in our passion for POPULAR music.

A Spotify advertisement interrupts my listening. The ad is invisible, embedded in between the lines of my play queue. As it begins, a modern crooner soars over a twinkling piano. This is not the 311 I was just listening to. A voice very politely interrupts: “Hi, this is Bruno Mars.”

I need my riffage! Not ads!

Seconds later, a reminder pops up in my Microsoft Outlook program: “Rdio”

On an early Thursday morning on November 10th, 2011, NHT’s John Johnsen presented his new SuperPower powered desktop loudspeaker ($398/pair) to members of the hi-fi and consumer electronics press.