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LATEST ADDITIONS

Organic Cables

A sister company of Argento Audio of Denmark, Organic Audio now launched a complete line of copper cables. These include Organic Audio interconnects ($995/1m pair RCA, $1075/1m pair XLR), speaker cable ($1950/2m pair), and power cords ($995/2m). By contrast, interconnects in the all-silver Argento range from $2000–$9500/1m pair. All products are distributed by Ricardo Reyes (left) of Musical Artisans in Skokie, IL.

Ulrik Madsen (right), who designs the cables and owns the company, was on hand to discuss his products. All Organic Audio cables are derived from Argento Audio’s entry-level Argento Serenity. “I wanted to take advantage of the connectors I developed for Argento,” Madsen explain. “We make all our Organic Audio connectors ourselves from the same metal as the conductors in the cables, which is OFC 99.997% copper. (The more expensive Argento cabling uses silver). There are no solder points; all attachments are made by applying set-screws to accomplish compression.

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MIT’s New Matrix Line

Steve Holt, global sales manager for MIT, proudly introduced me to the company’s brand new Matrix line of cables. Designed by Bruce Brisson, the cables retail between $9999 and $21,999, and are part of the company’s reference line.

The new speaker cable comes in three flavors: Oracle Matrix HD 90 ($9999/8ft pair), Oracle Matrix HD 100 ($14,999/8ft pair), and Oracle Matrix HD 120 ($21,999/8 ft pair). There is one interconnect, Matrix 50 ($4999/1m pair, $5999/1m balanced pair). For digital cabling, one needs to go up one step in the reference line to Oracle MA-X digital ($3495/1m RCA or BNC, $3995/1m AES/EBU)

These new cables use MIT’s multi-pole technology. “We talk about poles of articulation,” said Holt. “There are electronics inside our boxes on the cables to provide wider bandwith coverage to power, so that sounds at either end of the spectrum won’t be rolled off as quickly.” The Matrix cables also employ a new technology called F.A.T. (Fractional Articulation Technology) that helps maintain the harmonic structure of audio signals.

In the Magico room where they were displayed, the new Magico Q3, Soulution amplifiers, and files from Paul Stubblebine’s Tape Project made wonderful music through Oracle Matrix HD 120 speaker cable and the Oracle MA-X interconnects (start at $8495/1m pair). You can see the Oracle Matrix HD 120 boxes in the above photo, which was taken behind one of the Magico speakers. If other rooms hadn’t called, I would have dropped everything then and there and stayed for hours.

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Stage III Concepts Cables

Stage III Concepts, a Pasadena-based company whose products are distributed by Brian Ackerman of AAudio Imports, has released four newly re-engineered, top-of-the-line cables. All are part of the A.S.P. Reference series (Absolute Signal Purity), and are entirely handmade (including connectors) by Luis de la Fuente. Connectors are made of ceramic with a mixture of special resins to minimize crosstalk between pins, and the entire housing composed of carbon-fiber and epoxy resin. The wire itself is silver-palladium alloy. The A.S.P. Reference interconnect and speaker cable also sport a vacuum dielectric.

On display were the Zyklop power cord ($6000/1.5m), Gryphon interconnect ($5800/1m pair RCA, $6300/1m pair XLR), and Mantikor speaker cable ($13,200/2m pair). Besides digital and phono cables and speaker jumpers, the company sells hook-up wire for components in a variety of gauges. The least expensive, 22 AWG ($66/1.5m) is followed by 17 and 15 AWG ($280/1.5m).

Asked about the cable’s sonic properties, Ackerman replied, “It has no sound at all. It’s probably the closest thing I’ve heard to having no wire. It’s virtually invisible, like a direct connection.”

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Audio Aero La Source Music Center

It is a truism worth repeating: you can't really draw any conclusions about the sound of a component from an audition at an audio show.

Then there are those exceptions that prompt you to drop your neutrality and reach for the superlatives. The Vienna Acoustics room was like that for me last year. But this year, I've got to hand it to Philip O'Hanlon for creating a sound and scripting a demo that I would rate as extraordinary no matter what the circumstances.

Vivid's G2 Giya loudspeakers and the large room at the top of the Mirage didn't hurt. But I was here for the digital front end, and in this case, the Audio Aero La Source, which was functioning both as a disc player and preamp, connected to a Luxman M-800A Amplifier.

O'Hanlon describes the La Source as "an all-out attempt to put an analog preamp into the same box with the SACD/CD player." The La Source was also hooked up to a computer and streaming files via its USB input. On the back is a set of balanced and unbalanced analog inputs, BNC, SPDIF coax and optical, USB, and AES/EBU digital inputs along with a BNC digital and balanced and unbalanced analog outputs.

You can order the La Source with an Esoteric VMK5 Neo VRDS transport for $44,000 or without the transport for $35,000 and there is a trade-up program for Prestige owners. Also in the box is an Anagram digital clock along with S.T.A.R.S. 32bit/384kHz DSP, dual mono Burr Brown 1792 DAC, and vacuum tube output stage.

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Audio Aero La Fontaine Music Center

Consider this the baby brother to the La Source. Same overall functionality but with the lower priced Esoteric UMK5 transport, a stereo Burr Brown 1792 DAC and an OEM clock directing the digital. Still, it has the S.T.A.R.S. 32bit/384kHz DSP and vacuum tube output stage as well as the preamp features.

The La Fontaine will be available sometime in February with transport for $25,000 and without for $19,000. O'Hanlon adds that by the end of the year, there should be five Music Centers products without disc ranging in price from $3,000 to $35,000.

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mbl Corona C31 CD Player

mbl products always make you wonder, is it technology I'm looking at or art? Their new Corona Line continues this tradition with, depending on your taste preferences, some of the most drop-dead gorgeous casework you'll see in the audio world, or some of the most over-the-top gratuitous metal (choose between gold or palladium alloy palinux), paint (white or black) and gloss this side of a Kustom Kar show.

Nonetheless, you can't argue with how carefully these products are made. The C31 wil be available sometime this summer for around $8,000 (depending on exchange rate at the time) and has coax, toslink and USB inputs in addition to its disc playing function. The C31 can also communicate with the other products in the Corona line via the SmartLink ethernet connector on the back

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Musical Fidelity M1CL:C Universal Music Controller

Hiding in the back room of their palatial suite in the Mirage, Musical Fidelity was running a demo of their M1CL:C Universal Music Controller which is now being finalized. MF says they are shooting for somewhere under $2,000 for the product which operates as a DAC and preamp and includes USB, SPDIF and analog inputs. I noted a USB input on the front and a beautiful color display as well.
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Magnepan MG3.7

“Trickle-down effect” is an expression manufacturers often use to describe the application of lessons learned in developing a flagship model to the development of lower-priced products. However, according to Wendell Diller of Magnepan, in developing the new Magneplanar MG 3.7, what has taken place is a trickle-up effect. (Wendell celebrates 36 years marketing Magnepan this year!) The lessons learned in going from the MG 1.6 to the MG 1.7 were applied to the more expensive flagship MG 3.6, with what he says are results that represent at least as much of an improvement as the change from the MG 1.6 to the MG 1.7. I’ve been quite impressed with the MG 1.7 on previous occasions, and listening to the MG 3.7, driven by Bryston electronics at T.H.E. Show, made me think of the MG 1.7, except for greater bass extension and dynamics. Magnepan has kept the price at $5495—$5895/pair, which must represent a bargain for a planar speaker of this performance and pedigree. Standing proudly next to the MG3.7 in JA's photo is Mark Winey, son of founder Jim, who now runs the Minnesotan company.
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The Sonus Faber

Previewed by Michael Fremer in the October 2010 issue of Stereophile (pp.13–16), where he goes in depth into its technology, Sonus Faber's flagship loudspeaker, The Sonus Faber, will only be produced in a limited edition of 30 pairs. Apparently, all 30 pairs have been spoken for by distributors and dealers.

This is a big speaker—it stands 67" tall and weighs 672 lbs—and was being demmed in an appropriately large room with the large Audio Research Reference 610T tubed monoblocks. Or it would have been demmed, as on both my visits to the room, the electricity supply to the room had failed. (If you look closely, you can see the electrician's red toolbox to the left of my photo.)

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