LATEST ADDITIONS

Though I'm writing this in early March, this As We See It column will be published in the May issue, which is the issue that will go to AXPONA, America's largest audio show, held each non-pandemic year at the Renaissance Schaumburg Hotel & Convention Center near Chicago. This year's show takes place Friday–Sunday, April 12–14. The show opens each day at 10am and closes at 6pm Friday and Saturday; Sunday's closing time is 4pm. If you're going to the show, don't forget to stop by the Stereophile booth, Location 9213 in the exhibit hall.

For Christmas in 2020, a friend sent me a gift: a coffee mug decorated with a one-out-of-five-stars rating for the annus horribilis the world had just been through. The caption on the ceramic read, "VERY BAD WOULD NOT RECOMMEND."

True, the pandemic year and the lockdowns had been no fun, to put it mildly, but that doesn't mean there were no positives. Every day, rain or shine, my 10-year-old daughter and I played soccer on the field behind our house. We—pointlessly, I concede—trained our shepherd to walk backward on command. I savored having more time to read, watch movies, and take naps when the urge struck. Finally, I used the long stretch of weeks, then months, to rekindle my lifelong infatuation with music. Thousands of old and new recordings kept me balanced and tethered me to the rest of humanity during the dark days of social distancing. Rarely had music soothed and comforted me more than during the 10 months before the vaccines arrived.

My musical appreciation—reverence at times—was due in part to the new Tekton Moab floorstanders . . .

Timely if nothing else, that email came just after I had serendipitously acquired a new-to-my-collection, first-pressing LP copy of the first Guy Clark album, Old No. 1.

Atelier Audio's room was buzzing the couple of times I'd passed by to peer inside, and I don't mean some sort of transformer noise. I mean with people. It was consistently abuzz with visitors. Luckily, I was eventually able to snatch a seat during an Atelier Audio demo; then I understood why this room was so popular.

Another highlight of the Montreal Audiofest was the system in the Lemay Audio room, which included a pair of the company's electrostatic Dayton-Wright Hommage 9.3 loudspeakers ($68,000).