"Take a picture of me stroking this gorgeous thing," I said to Rosemarie.
"Yes, boss," she sighed.
In development for over two years, the MD 806 provides access to FM, DAB, and DAB+, as well as Internet radio stations via its onboard WiFi antenna or LAN, and locally connected music collections (MP3, AAC, FLAC, WMA, Real). Its 3.5” touchscreen displays metadata, genre, bit rate, codec, and sampling rate for the playing track, while personal audio collections (accessed through a local network or USB connection) are navigable by artist name, album name, or musical genre.
Optical and RCA digital outputs are also included for use with an external DAC.
I enjoyed a stimulating conversation about the priorities of a loudspeaker designer, the applications in which a speaker is used, and the difficulties of sound- and video-editing.
The first question Shaw wants answered about any particular loudspeaker is: “What loudness level is it optimized for?” From that, he can tell a lot about a speaker’s abilities and the priorities of its designer.
“If I get a strange look, as though [the designer] is wondering why I would want to know such a thing, then I start to feel anxious….”
The company wanted to design something a bit sexier, a bit more modern, explained Harbeth’s Alan Shaw.
While he admitted that reasons for selecting one loudspeaker over another are not always rational, he believes a loudspeaker should be used in the application best suited to it. The Monitor 20s are optimized for nearfield monitoring in desktop sound- and video-editing.
Still: “‘Sexy’ is really important,” said Shaw.
Let me hear your body talk.But first a confession: I'm not the hip young man you might like me to be (or the one I might like me to be). I'm actually sort of old-fashioned. While my taste in music is nearly as uninhibited and adventurous as that of anyone I know, I prefer to enjoy that music in ways far more restrained and much less modern. I think I would have been right at home in the 1950s, wearing Ray-Bans and Levi's, listening to (and loving, equally and deeply) the music of both Jack Scott and John Cage, and playing my records on a record player.
I heard from Kelli recently. She said something about moving all of her music into the clouds.
"Huh?"
"Cloud music," she said.
“It’s just fucking amazing,” Roy Hall said simply.
Available this fall.
“Are you enjoying the show?” he had asked.
“Very much. This show has a certain grace and a natural sex appeal that shows in the States seem to lack,” I said.
Roy nodded. “Ah, you get it. So you’re not just a pretty face.”
Then he walked me over to his new MMF-11 turntable (around $4500, including Pro-Ject 10cc carbon-fiber tonearm). First seen in prototype form at January’s Consumer Electronics Show, the 43-lb MMF-11 is a two-motor, flywheel-driven turntable with a thick, acrylic platter, a four-layer plinth, and magnetic feet to further isolate the turntable from vibrations.
“No original ideas here,” Roy quipped.