LATEST ADDITIONS

A goodly amount of forum chatter has been focussed on these two very inexpensive Superlux headphones. (Superlux is a Taiwanese maker of professional audio gear, and is distributed in the U.S. by Avlex.) I thought it would be fun to have a listen and see if the headphone enthusiast community has stumble upon some giant killers.

(C'mon, how much can $30 really get you?)

We all can agree that a Bose Wave CD player sits at one end of that continuum, a Koetsu Jade Platinum phono cartridge at the other—but what of all the products in between? Scarcity, mode of manufacture, appearance, even sentimentality ("This is just like the one my father used to have!")—each plays a role, but there's no doubt that price tops the list: The more we pay, the more we love (footnote 1).

Also in this issue:

That remains literally true: The 7" full-range drivers to which I'm listening today are from a German company called Voxativ; the horn-loaded cabinets from which they play were also designed by Voxativ, and are made in Germany by the Wilhelm Schimmel piano company. And, with all due respect to Lowther, the 75-year-old English loudspeaker firm that launched a thousand DIY fantasies—not to mention a thousand very lively wavefronts—the Voxativ drivers and horns take the Lowther concept further than anyone else of whom I'm aware.

On the first day of the California Audio Show, I heard some of the most beautiful music in a room hosted by Acoustic Analysis, The Tape Project, and Bottlehead, featuring a system made of Focal Diablo Utopia loudspeakers, Focal SW1000 Be subwoofers, a VTL TL-6.5 Signature line preamp and MB-450 Signature III monoblock power amplifiers, Siltech cables, and a Bottlehead-modified Otari tape machine. The music had such a smooth, effortless quality to it, unlike anything else I heard at the show: The sound of tape. It was an awesome listening experience.

On the following evening, I got to visit the mastering studio where the team from The Tape Project does its work.