Sonus faber Announces Amati Supreme Speaker
FiiO M27 Headphone DAC Amplifier Released
Audio Advice Acquires The Sound Room
Sponsored: Pulsar 121
CH Precision and Audiovector with TechDAS at High End Munich 2025
KLH Model 7 Loudspeaker Debuts at High End Munich 2025
Marantz Grand Horizon Wireless Speaker at Audio Advice Live 2025
Sponsored: Symphonia
Where Measurements and Performance Meet featuring Andrew Jones
High End Munich: Audio Reference "Most Exclusive System Ever" with Wilson and D'Agostino
Sponsored: Symphonia Colors

LATEST ADDITIONS

DIY Modified Aiwa HP-500 from Kabeer

This story originally appeared at InnerFidelity.com

Kabeer - "I am located in UK, and I have some orthos. Im not sure if its very viable for me to get anything measured?"

Tyll - "I really can't spend too much money on this, so I've limited DIY Ortho testing to the U.S. to keep the shipping costs down. Sorry."

Kabeer - "Id really like to send my Aiwa to you to get measured. I think its pretty great :). Wualta wants to see their measurements too and has kindly offered to pay you the postage back to UK for them."

Tyll - "Okie Dokie. If Wualta wants to see the measurements, it must be good."

You see, while Wualta might be a crusty old curmudgeon, he's also one of the patron saints of Orthodynamic DIYers, and if he thinks something is worthwhile ... well, you just have to have a listen.

By golly, he's right on the mark again!

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Superlux HD 668B and HD 681 Headphones

This story originally appeared at InnerFidelity.com

A goodly amount of forum chatter has been focussed on these two very inexpensive Superlux headphones. (Superlux is a Taiwanese maker of professional audio gear, and is distributed in the U.S. by Avlex.) I thought it would be fun to have a listen and see if the headphone enthusiast community has stumble upon some giant killers.

(C'mon, how much can $30 really get you?)

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PrimaLuna DiaLogue Three preamplifier

At what point does a domestic audio product cease to be an appliance and assume a loftier place in one's home and heart?

We all can agree that a Bose Wave CD player sits at one end of that continuum, a Koetsu Jade Platinum phono cartridge at the other—but what of all the products in between? Scarcity, mode of manufacture, appearance, even sentimentality ("This is just like the one my father used to have!")—each plays a role, but there's no doubt that price tops the list: The more we pay, the more we love (footnote 1).

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Now on Newsstands: Stereophile, Vol.34 No.9

The September 2011 issue of Stereophile is now on newsstands. On the cover, we feature Oppo’s latest universal disc player, the BDP-95: It slices, it dices, it plays everything and sounds great. In his review, Kal Rubinson installs the BDP-95 in his Manhattan apartment where he compares its two-channel output against that of the Sony SCD-XA5400ES, then he takes the Oppo to his Connecticut home and compares its analog multichannel output against that of Oppo’s earlier BDP-83SE. He comes up with some interesting conclusions.

Also in this issue:

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Voxativ Ampeggio loudspeaker

It wasn't so much a vow as a prediction: After selling my last pair of Ticonal-magnet drivers and the homemade horns I'd carted around to three different houses, I supposed I would never again have a Lowther loudspeaker in my humble house.

That remains literally true: The 7" full-range drivers to which I'm listening today are from a German company called Voxativ; the horn-loaded cabinets from which they play were also designed by Voxativ, and are made in Germany by the Wilhelm Schimmel piano company. And, with all due respect to Lowther, the 75-year-old English loudspeaker firm that launched a thousand DIY fantasies—not to mention a thousand very lively wavefronts—the Voxativ drivers and horns take the Lowther concept further than anyone else of whom I'm aware.

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Sons & Daughters: Mirror Mirror

Mirror Mirror, the third album from Glasgow band Sons & Daughters, opens with a single note from a vintage synth. Barely audible at first, it grows and grows and rises vertically in the soundstage&#151for 15 seconds it grows: a sharp white light in an otherwise dark room&#151building tension, warning of some sort of danger, as it goes. This high-pitched note is met first by stomping feet, then by clapping hands&#151single file and far, far off, but growing in size and intensity&#151before finally being joined by the voices of Adele Bethel and Scott Paterson, singing, strangely singing, barely singing at all, more chanting, intoning, repeating, casting:
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A Quick Visit to a Mastering Studio

Dan Schmalle and Luke Manley smile in the background, while Brian Damkroger and I sit in the engineers' seats. Photo by Philip O'Hanlon.

On the first day of the California Audio Show, I heard some of the most beautiful music in a room hosted by Acoustic Analysis, The Tape Project, and Bottlehead, featuring a system made of Focal Diablo Utopia loudspeakers, Focal SW1000 Be subwoofers, a VTL TL-6.5 Signature line preamp and MB-450 Signature III monoblock power amplifiers, Siltech cables, and a Bottlehead-modified Otari tape machine. The music had such a smooth, effortless quality to it, unlike anything else I heard at the show: The sound of tape. It was an awesome listening experience.

On the following evening, I got to visit the mastering studio where the team from The Tape Project does its work.

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