LATEST ADDITIONS

Chick Corea is at the Blue Note in New York City all for the entire month, celebrating his 70th birthday by riffling through all the chapters of his wildly eclectic career, playing different music with different bands, shifting casts and moods each week, sometimes from night to night.

I caught the early set Thursday, a trio with bassist Gary Peacock and drummer Brian Blade, and it was a thorough delight...

From the safety of your own home or office (without the threat of JA throwing a baseball at you or pouring a glass of water on your laptop), you can tune in to Scott’s podcast and enjoy much of what JA covered in his fascinating lecture, titled “Where Did the Negative Frequencies Go?”

Listen here.

After spending time with the Beats by Dre Solo HD (high definition or heavily distorted, I'm not sure) it was a real pleasure to acquaint myself with the Soul by Ludacris SL150.

Surprisingly satisfying!

It’s been the perfect time for me to listen to CD players because my old band, The Multi-Purpose Solution, is reuniting to play a show this Friday, November 4, at Maxwell’s in Hoboken, NJ.

That column certainly brought the Beethoven worshippers out of the woodwork. Look, I revere Beethoven, and I stand by what I wrote in the July issue: There can be little doubt, in terms of his impact on the course that Western music would follow, that Beethoven was the most important composer. But "most important" in terms of music history is not the same thing as the composer whose works most deeply touch my heart. For that, Beethoven is just not in my Top Five.

These performances were recorded at the Ebrach Festival, held annually in the small town of Ebrach, Germany (an hour's drive north from Nuremberg or west from Bayreuth), in the former Abbey Church of Ebrach, which comprised a Cistercian monastery (now a prison) and a vast gothic cathedral built in the 13th century which now serves as the parish church. Many hear the phrases "festival orchestra" and "live recording" and expect the worst: flawed documents of underrehearsed performances by hastily convened pickup orchestras in venues not designed for good sound, and plagued by coughs, sneezes, scraped chair legs, the inadvertent rustlings of hundreds of attendees, and a level of applause that might not conform to the response of the listener at home.