LATEST ADDITIONS

I still recall, many years ago, being blown away by the sound of one of ProAc’s extremely musical monitors. The company re-emerged at RMAF 2012 to display the ProAc Response D40/R ($12,000–$14,000/pair, dependent upon finish). Hooked up to Sonus Veritas’ Modena DAC ($15,999), Genoa preamplifier ($15,999), and Florence KT120 monoblock power amplifiers (not yet released, price TBD), and sources unidentified, the system was producing excellent solid, full-range sound on a track from the Michael Wolff Trio’s 2 AM.

“These blood-red eyes don’t see so good / But what’s worse is, if they could / Would I change my ways?”

So sings Dan Auerbach on “These Days,” the closing track from the Black Keys’ excellent 2010 album, Brothers. As Auerbach sings, achingly, slide guitar weeps, bells chime, bass guitar thumps along woefully, cymbals splash, and floor toms rumble. It’s a beautiful few moments of R&B-inspired pop music, flooded with heartache.

I’m sure you’ll know what I mean when I say I hate “Lilac Wine,” even though I think it’s a beautiful, touching song. A girl once put it on a mixtape for me, and you know how those things go. Lilac Wine is sweet and heady like my love. Yadda yadda yadda. I can hardly stand to hear it. But I sat all the way through it, happily, yesterday afternoon in the Resonessence room.

Living Sounds Audio was showing their LSA1 Statement Monitor ($2800/pair). Unlike the standard LSA1, which partners its 6.25” treated paper mid/woofer with a 1” silk-dome tweeter, the Statement uses a folded-ribbon tweeter manufactured by Aurum Cantus. In addition, the Statement has a revised crossover and features upgraded capacitors, resistors, and internal wiring.

I’ve seen many, many smiling faces at the Rocky Mountain Audio Fest. These two belong to Sound and Vision’s Mike Trei and CNET’s Audiophiliac, Steve Guttenberg.

So what if the Rocky Mountain Audio Fest doesn’t officially open until noon Friday? The Stereophile crew—L–R, Jason Victor Serinus, Stephen Mejias, John Atkinson, and Art Dudley—have met for an 8AM strategy session in the Marriott’s Atrium dining area. Omelets devoured and territory divided up by floor, we can finally sit back for a moment, smile, and savor our two hours before the big 11AM pre-show press unveiling of the new Wilson Audio Alexia loudspeaker.

It’s Thursday afternoon, and all is aflutter in the show office in the Denver Marriott Tech Center. Everyone and their mother is arriving at once, and Show Manager Marjorie Baumert heads to the computer as she and her invaluable staff of volunteers move as fast as they can to meet the needs of multiple hundreds of exhibitors.