I brought it on myself. I asked to review Joseph Audio's stand-mounted, two-way Pulsar because I felt an obligation to step down from the rarified air of some of the absurdly priced gear I've been reviewing lately and sample something more "affordable." The Pulsar costs $7000/pair.
“But I need new over-ears,” I pleaded.
“What do you want me to do about it?”
“Nothing, I guess. Maybe show some sympathy?”
“Fuck off.”
It was getting serious. I was getting my drummer involved, but he didn’t care.
He didn’t care that my Sony MDR-V150s distorted at high volumes and always pinched out a chunk of hair from my balding scalp after I took them off. He didn’t understand that my favorite Grado SR60s (More SR60 links: Corey Greenberg’s review and Jim Austin’s review) had a broken earpiece frame rendering themselves un-wearable in stereo. Even some Grado SR125s that JA brought in for me to borrow were dead in one channel, and the headband on Stereophile’s sample of Monster Beats Studio had a crack down the center. I did not want to break them with further use. Listening to music in my cubicle had become near-impossible. My in-ear headphones hurt after an extended periods of use (that includes 8 hours at a desk); plus, the right channel in my Etymoic ER6s is silent. I always feel awkward playing music lightly through my desktop speakers, barely interrupting everyone else around me. I need it loud, and I need it to myself.
Then the Sennheiser HD 428s came into to my life.
Go for it. Good luck!
Directed and produced by Craig Ward, the video is enchanting, magical, strange. What are those delicate white lines? Icicles? Spider webs? Crystals? The press release offers only a cryptic explanation: “The movements of a music-box ballerina are reinterpreted in a groundbreaking video for British composer Ryan Teague using electromagnetic fields, subzero temperatures, and 2000 volts of electricity.”
A behind-the-scenes look offers more clues: