LATEST ADDITIONS

Naxos stands poised to release its first 24-bit/96 kHz high-definition audio download. On October 2, one of the label's most important orchestral recordings for the fall quarter, conductor, arranger and composer Peter Breiner's new orchestrations of Mussorgsky's Pictures at an Exhibition, Songs and Dances of Death, and The Nursery, will become available, not as a physical CD, but rather as high-resolution and MP3 downloads. Expect the link to appear on iTrax, eclassical, classicsonline, HDTracks, hiresaudio.com, theclassicalshop, and Ariama, with Linn and Onkyo coming on board soon thereafter.

Last year's TAVES involved a partnership of Suave Kajko and Simon Au, both from the Toronto area, as well as Michel Plante and Sarah Tremblay, organizers of the well-established Montreal Salon Son & Image (SSI). Michel and Sarah also brought with them most of their staff from SSI. Suave and Simon were new to "show" business, so when it was announced that Michel and Sarah were not going to be involved in this year's show, there was some concern. Would these Torontonians have the élan, the savoir faire, the je ne sais quoi needed to run a show like TAVES.

Mais oui! It was a great show!

The most expensive audio system at TAVES 2012 was in the main ballroom. With components from Burmester's Reference line, the total cost of the system was $500,000. That's according to the advance write-up in Canada HiFi magazine. At the show, I heard $600,000 mentioned as the price. But I guess that when you're at that level, what's an extra $100,000? The system was playing during the show and served as PA system for the concert by Cindy Gomez. How did it sound? On its own, not at the concert, it sounded very good indeed, especially considering the size of the room (huge) and the lack of acoustical treatment. At the concert, it sounded like it could have been any PA system.

The Audio Zone Eliminator speakers ($8900/pair) have a distinctly DIY look, aimed at providing maximum performance with no concession to decor. Bass and midrange are both horn-loaded, the bass using a reproduction of the Electro-Voice DX-15 driver, the midrange a Selenium D330 compression driver, and a Fostex supertweeter. Claimed sensitivity is an astonishing 120dB. The Audio Zone Eliminator is built to order. Audio Zone also offers a variety of amps and preamps (active and passive), at what seem like very reasonable prices (eg, 50W Op-Amp Integrated, $1595), all made in Canada.

I'm a great admirer of Quad electrostatics. . .

Location, location, location. Although there are more factors that go into a successful audio/video show, unless the location and the venue are right, it's really an uphill battle. The organizers of the Toronto Audio Video Entertainment Show recognized that unless the show is in location that's convenient and has a venue that's attractive, only the most devoted audio/videophiles will attend.

They got it right by selecting the King Edward Hotel, a luxury hotel in downtown Toronto, with many restaurants nearby, and also close to theaters. All right, so parking is expensive, but the King Edward is steps from the subway, so it's easily accessible by public transit.

In late September 2012 from their headquarters in Bergen County’s own Mahwah, New Jersey, Denon Electronics announced the launch of their interactive visYOUalize Yourself website and mobile app as an accompaniment to their four headphone lines released in the summer of 2012. These four headphone divisions target offer clearly positioned models unified through product image and technological goals targeting four different sects of customers. Denon wants to know: which one are you?

A highlight for me of Stereophile's 2011 equipment reviews was Kalman Rubinson's report on Sony's SS-AR1 loudspeaker in July. I had been impressed by this unassuming-looking floorstander at the 2009 Rocky Mountain Audio Fest, when, courtesy Ray Kimber, I had used a pair for my "Loudness Wars" demonstration—and was equally impressed when I used another pair for a dem of my recordings at Massachusetts retailer Goodwin's High End, in summer 2011. The SS-AR1 costs $27,000/pair and combines a full frequency range with an uncolored, detailed midrange, sweet-balanced highs, and excellent dynamics. "The Sony SS-AR1 is an impressive loudspeaker," summed up Dr. Kal; "it brings the analytical capabilities of studio monitoring to the listening room." So when I learned that Sony had introduced a smaller, less-expensive version, the SS-AR2 ($20,000/pair), it took me less than the proverbial New York minute to request a pair for review.