High End Munich: Audio Reference "Most Exclusive System Ever" with Wilson and D'Agostino
Audio Advice Acquires The Sound Room
Sponsored: Pulsar 121
CH Precision and Audiovector with TechDAS at High End Munich 2025
KLH Model 7 Loudspeaker Debuts at High End Munich 2025
Marantz Grand Horizon Wireless Speaker at Audio Advice Live 2025
Sponsored: Symphonia
Where Measurements and Performance Meet featuring Andrew Jones
Silbatone's Western Electric System at High End Munich 2025
Sponsored: Symphonia Colors
JL Audio Subwoofer Demo and Deep Dive at Audio Advice Live 2025

LATEST ADDITIONS

New Chorus from Focal

At shows like CES, audio writers are always looking for new products to report on, but some manufacturers have a very self-serving definition of what they tell you is a "new" product. More than once, I've been told by a rep that they have a new product, but it looked familiar. "Wasn't this at last year's show, and didn't I even report on it?" "Yes, but now it's actually in production."
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GoldenEar Does It Again

Sandy Gross has done it again! At CES 2011 I was blown away by the sound quality and value offered by the GoldenEar Triton Two, my highly positive impression confirmed by more extended listening (see my review). At CES 2013, Sandy introduced a speaker with possibly an even greater quality/value combination: the Triton Seven. This is another floorstander, but much smaller than the Triton Two (or the Triton Three that was introduced last year). It uses similar drivers as the Triton Two, including the High Velocity Folded Ribbon (aka Heil) tweeter, but, unlike the Triton Two, the bass is not powered. The lack of a powered subwoofer has allowed Triton Seven to be priced at $1399/pair. Surprisingly, the bass, which is one of the major strengths of the Triton Two, does not appear to have suffered, and the speaker has the same sort of transparency and precise imaging that characterizes the Triton Two. The Triton Seven is expected to be available in May. Photo: Sandy Gross with the Triton Two and the Triton Seven.
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TSx from Polk

Many speaker manufacturers give their various speaker lines fanciful names that make it difficult to determine a given speaker's position in the manufacturer's intended quality range. Polk, in contrast, simply places their speakers in three categories: Good, Better, and Best. I suspect this helps sales staff in stores enormously in communicating what the differences are between various speakers from Polk.
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Paradigm's Tribute

Canadian speaker manufacturer Paradigm is celebrating its 30th anniversary with a limited edition speaker, called the Tribute ($6000/pair). The Tribute (pictured here) has a new cabinet, built in-house, a beryllium tweeter from the Signature range, a new mounting system for the drivers, corrugated drivers surrounds, and a chrome-plated stainless steel plinth.
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B&O 12-1

As I said in an earlier blog posting, I was sufficiently intrigued by B&O's single-cabinet stereo speaker at the CES Unveiled event that I made a note to myself to check it out later. The opportunity presented itself in the form of a B&O press conference. The press conference did not involve any demonstrations of sound, but when the press conference was concluded I managed to prevail on Henrik Taudorf Lorensen, CEO of B&O's PLAY division, to give me a demonstration of the A9. The setting was not ideal, with no attempt at optimal positioning of the speaker, but the speaker certainly had a smooth, room-filling sound. I continue to be intrigued by this product. The A9 looks more like a satellite dish than a speaker, and is sure to be a conversation piece. B&O also has some new wireless speakers that are more conventional-looking, such as the BeoLab 12-1 ($2950/pair), pictured here.
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Audio Research Reference CD9 CD Player

Audio Research is replacing the CD8 with a new player this year that will use similar proprietary filters and upsampling to that of the company's Reference DAC. There are also additional digital inputs on the back to accept USB, SPDIF, Toslink and AES/EBU 24/192 connections. The new player is shipping later this month and will retail for $13,000.
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Light Harmonic Da Vinci Dual DAC

Light Harmonic has decided that the only way to properly put both DSD and PCM processing into one product is to incorporate two "separate and discrete" decoding engines in the box. According to the company, one signal path is optimized for PCM the other for DSD. The PCM side can handle streams up to 32/384 with the DSD path handling DSD128. Price is $31,000 and the Dual DAC should be available around spring this year.
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Light Harmonic Da Vinci Source

Not content to stick with DACs, Light Harmonic is adding a new music server to the line up. The Source chassis is comprised of two parts: The bottom section contains the company's proprietary digital power supply, a hard drive bay that can accept four 2TB drives in a RAID array and also a Blu-ray disc player. The top half contains all of the processing circuitry and music server software.

Price is stil to be determined but I was told that the Blu-ray drive will be able to rip up to 24/192 PCM off of any Blu-ray disc inserted in the machine. Additionally, an iPad mini will be included with each purchase, loaded with a custom remote control app suite and a pre-configured wireless access point for plug-and-play setup. Ship date is estimated to be around the middle of the year.

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HRT microStreamer

USB Dongle DACs are taking off, and companies like HRT are attempting to combine small form factor with features and sound quality. Unlike Audioquest's Dragonfly, the microStreamer sports two output jacks, one fixed and optimized for line level destinations and the other with variable out for headphones.

The microStreamer will retail for $189.95, can handle streams up to 24/96 and is connected to your computer or source with a short USB cable. The company explains that this approach prevents mishaps where the dongle could damage your computer's USB connector if it was plugged straight in like the Dragonfly.

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