Listen, I rarely recommend some hazy, over-saturated indie rock played by a Crayola-hair colored, geometric-patterned-vinyl-jacket wearing, wide-eyed goon drinking a glass of red kool-aid to wash away his reverb and irony soaked introspection, but I think there's something special here. Something magical. Trevor Powers of Youth Lagoon might even be a wizard.
On Tuesday May 28th, 2013, Nordost premiered the Valhalla 2 cable lineup at Lyric Hi-Fi in New York City. Rune Skov, International Product Training & Sales Support Manager for Nordost, gave a demonstration to a garrulous group of audiophiles who joyfully suggested what differences they heard as Skov switched out each old Valhalla cable for the new one.
Except that there are a lot more rings.
Jason asked if would send him a flash drive carrying a few demo tracks that he might use to audition systems at the show—a fun idea, however one that I can’t successfully realize: At this time, I have no real library of high-resolution (or even CD-quality) digital files, nor do I have proper means of ripping CDs. Simply put, while I do plan on building a proper computer-audio system, I haven’t gotten around to it yet. I’ve been busy hanging out with girls and cats, decorating the new apartment, and admiring the Mets’ ability to find creative ways to lose close games. Give me a few more months.
I’m embarrassed to admit that I haven’t made much progress since the last Payday Albums post: I keep buying records, but the days don’t get any longer. What’s up with that? The number of LPs in my collection that have gone unplayed is growing dangerously large; soon enough, my collection will be made mostly of unplayed LPs. Meanwhile, I’m just plain running out of shelf space. What’s a guy to do? Buy a massive hard drive and convert to computer audio?
Hmm . . . I’ll cross that bridge when I get there.
For now: Today’s payday. These are the albums I bought.
Luke Manley: My dad, David Manley, and I co-founded VTL in June of 1986. We started small on the East Coast, and soon after we moved to California.
Scull: Is it because you're really a West Coast kind of guy?
Manley: [laughs] You bet! There's a lot of supporting industries out there; a big base of electronics manufacturers, for example.
Scull: What, in the San Francisco area?
Dusty guitar amps, dirt-speckled stage light fixtures, and busted drivers piled atop each other on a series of shelves. I inspected each piece of gear carefully. Atop the highest shelf, I found them. Though covered in scratch marks and gum, the logo was clear: Polk Audio. The “i" was dotted with a little heart. I fell in love.
