Music in the Round #75
Outside of the listening I do for this column, I always audition, assess, and review components without using any equalization or room correctionprimarily because I assume that most Stereophile readers listen in two-channel stereo, and that most aren't all that interested in EQ. Besides, two-channel is the tradition I come from, and my first instinct is to try to get at the essence of the individual component itself, without applying extraneous tools or accessories. John Atkinson's bench tests are based on the same philosophy.
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