LATEST ADDITIONS
Acoustic Sounds' Major Vinyl Expansion
Palisades
Rip It Up
Ran Blake & Singers
KEF Reference Series 103/4 loudspeaker
LAST Record-Preservation Treatment
Katz's Corner: The Great Headphone Shootout. Part 5: The Revisions
I've seen some reports that the Stax 007 MkII (the "Omegas") sound a bit bassy and dull, but I don't have that reaction with the KGSS amp and a superior DAC. My precious Stax is clearly missing something in the bass department and I wanted to see if I could transfuse the slam of the Audeze into the Stax and have the best of both worlds.
A Plague Upon Our House
Ye Editor can recall from the days of WWII hearing and reading about the depredations of some mischievous sprites called Gremlins, who would cause aircraft hatchcovers to jam and control cables to get hung up at the worst possible moment, but I don't think I ever really did believe in Gremlins. I think I sensed somehow that the mishaps attributed to their malevolent machinations were too capricious to be the work of thinking, calculating little spirits. But I was not clever enough to put my finger on what was going on. That had to wait for a gentleman named something-or-other Murphy, who was (to my knowledge) the first person to put a tag on it, and to formulate a basic law about it. The tag was "the perversity of inanimate objects," and the law was "If anything can possibly go wrong, it will."
Recording of June 1982: Encores à la Française
Michael Murray: Encores à la Française
Works by Couperin, Dupré, Gigout, Franck, Widor, J.S. Bach, Vierne, LemmensOrgan at Symphony Hall, Boston
Telarc Digital DG10069 (LP), 80104 (CD, released in 1990). Robert Woods, prod., Elaine Martone, assistant prod., Jack Renner, eng. TT: 65:46 (CD).
This is another winner. Michael Murray's superior performances are or should be well known to all by this time. This recording of Encores in the French style covers a wide gamut of registration and mood, ranging from the large and full-blown sonorities of Franck's Pièce Héroique, the Toccata from Widor's Organ Symphony 5, and Vierne's Final from the Symphony 1 in d to the light and nimble Scherzo of Eugene Gigout and the technically demanding Musette by Marcel Dupré.