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"What are your thoughts on this year's CES?": A multi-dimensional question that means many different things to the many different people who share the high-end audio realm. For my first attendance at the annual Consumer Electronics Show, I had a mission: to compile answers to this complex question and fit my findings on a visual medium, a time capsule of sorts. Is this the last year of CES? Was the low attendance in the high-end audio segment at the Venetian just a temporary lull? Or could it be a turning point for the high-end audio industry? Whatever might happen, 2017 struck me as a pivotal year for CES, and a show that begged to be captured.

The Band: The Last Waltz 40th
Rhino RR 273925 (2 CDs). 1978/2016. Robbie Robertson, prod.; Ron Fraboni, John Simon, co-prods.; Terry Becker, Tim Kramer, Elliot Mazer, Wayne Neuendorf, Ed Anderson, Neil Brody, engs. ADD? TT: 2:09:11
Performance *****
Sonics ****

To clear the air, if not the sinuses, let's dispose right now of the traveling-booger-matte controversy. If Robbie Robertson and the late Levon Helm are to be believed, in The Last Waltz, Neil Young performed "Helpless" with a very suspicious chunk of something hanging out of one nostril. When Young and his management became aware of the problem, the offending object had to be excised from the film stock using a matte laboriously inserted into every frame. At least, that's how the juiciest legend from one of rock's most legendary performances is usually told.

Last July and September I made two loudspeaker-related road trips: first to Rockport Technologies, in Maine, to audition their new Lyra; and then to high-end dealer-distributor GTT Audio, in deepest, darkest New Jersey, to audition YG Acoustics' new Sonja XV. Both speakers offer innovative, proprietary drive-units and heroic audio engineering, especially regarding their enclosures, which are constructed from aluminum. Both experiences took place in superbly well-designed and optimized listening rooms with front-end and amplification components that were beyond reproach. The sound quality offered by the Rockport and YGA speakers was simply superb, both stepping entirely out of the way to offer maximum communion with the music.

How to sum up the smallest high-end showing ever at a 21st Century CES? While it seems likely that CES trade-show attendance in general was down just a bit this year from the 2016 high of 177,393, the official estimate of "more than 175,000 industry professionals, including 55,000 from outside the US" stands in sharp contrast to the scene on the upper floors of the Venetian Tower, where some hallways that had formerly been packed with what CES calls "high performance" exhibits and industry people were now dominated by tech-company exhibits and visitors.

Since I focus on digital product introductions at CES, Crystal Cable wasn't on my radar until John Atkinson suggested checking them out last year when bringing Graham Nash to the show. Boy am I glad I did! Not only did Graham love his visit there in 2016 (and JA subsequently reviewed their speakers), Jake ended his CES 2017 tour on a high note in the room with an encore performance that brought tears to more than one visitor's eye.

Besides the TIA's thick copper top deck (and copper remote handset), the 280R features full point-to-point-wired, dual-mono construction with one GZ34 rectifier tube per channel…

What goes up, must go down. So we headed back to the stairs and then down five flights to the 30th floor where John DeVore was set up. We were now in the smallest size room you'll find at the Venetian, but still big enough to fit us all in, like a cozy, plush living room. John keeps his space dark and relaxing too, the emphasis clearly on our sense of hearing. So no flash, and I've tried to keep the brightness in the photos realistic to reflect how this room felt.