LATEST ADDITIONS

Our final issue of 2016 kicks off with Robert Schryer recommending that doctors tell us to "take two Grateful Deads and call me in the morning." Meanwhile, for the 26th time, Stereophile's editors and reviewers have voted for the products that impressed them most in the past year. The results are in: 60 finalists and 9 winners in 7 categories; plus for the third year in a row, a section in which everyone nominated their personal product of the year. Some of the winners could be predicted, but others come from left field!

Wednesday, November 16, from 6–9pm, Command Performance AV (115 Park Avenue, Suite 2, Falls Church, VA 22046) is holding a Hegel Music Systems Event. Guest presenters will be Anders Ertzeid, Hegel's VP of Marketing and Sales, and Eileen Gosvig, Hegel's US Sales Manager, who will demonstrate the Rost integrated amp with enhanced Apple Airplay and the new Mohican CD player ($5000, above), which Art Dudley wrote about in his report from the recent New York Audio Show. Refreshments will be served.

On November 11, 2016, Veterans' Day, Wilson Audio Specialties announced that Daryl C. Wilson, 38, son of David Wilson and Sheryl Lee Wilson, has just succeeded his father as CEO and President of one of the world's leading high-end loudspeaker companies. Daryl, along with COO Korbin Vaughn, will now actively manage all aspects of Wilson Audio.

I still remember reading about my first Mark Levinson product 14 or 15 years ago. It was a preamp. The model number escapes me, but it sold for over $2000. It was soon followed by the JC-2, designed by John Curl, which was a bit less pricey but still astonishingly expensive for a mid-'70s preamp. We've come a long way since then. The man, Mark Levinson, left the company that bore his name in the early 1980s and founded a new company, Cello. The company Mark Levinson became the core of Madrigal. It is a mark of their continued dedication to uncompromising high-end products that their bread-and-butter line remains the high-priced Mark Levinsons. They no longer have the Rolls-Royce of the audio market to themselves (in their early years, they made the never exactly inexpensive Audio Research products—ARC was certainly a contender for the same title—look like bargains), but they are certainly a leading player.

Like its Prism I predecessor, which I reviewed in May 1988, the Mod Squad Prism II is based on a Philips player: the same 16-bit, 4x-oversampling converter, the same general control layout. But The Mod Squad does their own extensive remanufacture, both on the internal circuitry and on the cosmetics—the latter involving a handsomely sculptured case and metal front trim-panel surrounding Philips's command center.

Note: As our coverage of the 2016 New York Audio Show has just been posted, I thought it would be interesting to post our report from the 1965 show, in particular to see which brands are still around 50 years later.—John Atkinson

The 1965 New York hi-fi show was, to these observers, most notable for the marked increase in the number of exhibits which featured good—ie, classical—music for demonstration purposes. In the past, only about a half dozen of the exhibitors played any thing of musical worth, the rest of them evidently figuring they could make more noise with wild brass-and-percussion "demo" records.

I hit the ground running on Sunday, the final day of the show…