LATEST ADDITIONS

The one that has me the most stoked is the Rogers High Fidelity 65V-1 class-A, single-ended EL34/KT88 integrated amplifier ($3999). Not to mention: I have never seen an amp painted with industrial-black crinkle paint that I didn't love.

Both sides of the Atlantic are making tube products that (again) sound at least a little like actual vacuum tubes and less like high-strung solid-state racing cars. Both cultures now want genuine tube sound but demand 21st century tube longevity and reliability—and, of course, a discrete headphone amplifier.

Emotiva looked so direct-sales, street-wise smart—and everybody was talkin’ about how musical Emotiva’s stuff sounds: “It sounds good—and they're givin’ it away!” I couldn’t wait to try one of their products.

The Philharmonia loudspeaker ($50,000/pair), designed by Jean Nouvel and the French audio-engineering firm Amadeus, is the first consumer-level product from a company whose specialty is studio monitors…

While the dCS and Nagra suites at the Mirage approximated the size of a typical medium sized living room, the YG suite at the top of the Venetian was something else entirely. The room was quite large, the speakers human size, and a bigger crowd was also on hand. Lori Lieberman was playing on the system as we walked in and YG's Director of Sales, Dick Diamond greeted us with a big smile and helped me get the laptop connected.

Jake was going to hear his music for the first time on a system totaling over half a million dollars.

Bea Lam (that's her hand in the photo above) demonstrated the VTL phono preamplifier's varied display options…

Jürgen Reis, MBL's lead engineer, was delighted to show me the company's new 560W (into 4 ohms), mono power amplifier, the MBL N15 ($17,800). Slimmer than MBL's reference-line amplifiers, four N15s (for bi-amping) fit into one equipment rack.