High End Munich: Audio Reference "Most Exclusive System Ever" with Wilson and D'Agostino
CH Precision and Audiovector with TechDAS at High End Munich 2025
Sponsored: Pulsar 121
KLH Model 7 Loudspeaker Debuts at High End Munich 2025
Marantz Grand Horizon Wireless Speaker at Audio Advice Live 2025
Where Measurements and Performance Meet featuring Andrew Jones
Sponsored: Symphonia
Silbatone's Western Electric System at High End Munich 2025
Sponsored: Symphonia Colors
JL Audio Subwoofer Demo and Deep Dive at Audio Advice Live 2025

LATEST ADDITIONS

MQA Contextualized

When you come to a fork in the road, take it.—Yogi Berra

Over one busy week in 1986, Karlheinz Brandenburg laid the foundation of a technology that a few years later would upend the record business. Brandenburg, a PhD student in electrical engineering at the Friedrich-Alexander University Erlangen-Nuremberg, was figuring out how to code digital music efficiently enough that it could be delivered over digital telephone lines. A patent examiner had concluded that what the application proposed was impossible, so over a week of late nights, Brandenburg produced the proof of concept and more. It was another decade before the technology—MPEG-2 level III, more commonly known as MP3—would find its true home, the Internet.

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Recording of March 2018: Stardust

Willie Nelson: Stardust
Columbia/Analogue Productions AAPP 116-45 (2 45rpm LPs). 1978/2017. Booker T. Jones, prod.; Donivan Cowart, Bradley Hartman, engs.; Bernie Grundman, mastering. AAA. TT: 43:28
Performance *****
Sonics *****

In Nashville in the early 1960s, Willie Nelson hit his low point. He'd failed at singing and writing country music, and one snowy night, after a liberal drowning of his troubles at Tootsie's Orchid Lounge, he decided to totter outside and lie down in the middle of Lower Broadway. In subsequent retellings of the tale, he's always maintained that he wasn't trying to kill himself. For that, he had a pistol.

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Stravinsky's Rite and More 4 2 and 4

Did you know that in May 1913, even before Diaghilev's ballet of Stravinsky's The Rite of Spring caused fist-fights among Parisian concertgoers, Stravinsky and Debussy together played the newly printed four-hand reduction of the score? You can feel a hefty helping of the excitement created by the crashing keyboards of two geniuses in the percussive thrill that Marc-André Hamelin and Leif Ove Andsnes bring to the score on this new Hyperion recording of Stravinsky's The Rite of Spring, Concerto for Two Pianos, and three other short works for two piano and four hands.
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Audeze LCD2 Classic Open Over-Ear Planar Magnetic Headphones

This story originally appeared at InnerFidelity.com

It's deja vu all over again. Maybe Audeze decided to reverse the trend for ever more expensive headphones. Maybe they were just aware of so many people longing for the LCD2 of old. But whatever the reson, I do like seeing them breath new life into the more affordable end of the LCD line-up with their newly released LCD2 Classic.

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KEF's Jack Oclee-Brown on Making Affordable Speakers

Back in the early summer of 2017, Jack Oclee-Brown, KEF's Head of Acoustics, visited John Atkinson to set up the KEF Reference 5 loudspeakers in his listening room. JA's review of the Ref 5 was published in October 2017, and during Jack's visit JA talked to him about the design of that speaker. But they also discussed KEF's affordable "Q" line of speakers and the challenges a manufacturer faces in bringing an inexpensive loudspeaker to market, the subject of this interview.
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Marchons-nous!

Forgive us for the French but our March issue is about to hit newsstands, tablets, and mailboxes. With Naim's Uniti Nova amplifier and media player on its cover and reviewed inside by Ken Micallef, this issue will provide hours of reading pleasure. It has reviews of speakers ranging from the affordable to the high-priced, from KEF, Monitor Audio, Sonus Faber, Stenheim, and TAD. John Atkinson reviews closed-back headphones from MrSpeakers; Art Dudley reviews Ayre's KX-5 Twenty preamplifier; Michael Fremer auditions moving-coil cartridges from Kuzma and Koetsu; and Jim Austin offers further thoughts on that most controversial of topics, MQA.
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Gramophone Dreams #20: Lounge Audio & MoFi UltraDeck

In my October 2017 column I reported on two turntables, the Palmer 2.5 and AMG Giro G9, each costing $10,000 and up, depending on ancillaries. It wasn't that I wanted to get all Mikey Fremer Uptown on you; I wanted to refine my listening skills and familiarize my senses with what my own humble system would sound like with a pair of world-class record players.
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Tom Jung: I Want More!

Tom Jung of DMP (Digital Music Products) is known as one of digital's early adopters. He's also an outspoken proponent of Sony's Super Audio CD over DVD-Audio. As I was intending to review Sony's first SACD player, the SCD-1, I invited Tom to Kathleen's and my Manhattan loft to investigate further. Tom and son Paul, who's responsible for DMP's sales and marketing, arrived with a passel of big drives, a DSD computer controller, and electronics designed by Ed Meitner.
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