High End Munich: Audio Reference "Most Exclusive System Ever" with Wilson and D'Agostino
CH Precision and Audiovector with TechDAS at High End Munich 2025
Sponsored: Pulsar 121
KLH Model 7 Loudspeaker Debuts at High End Munich 2025
Marantz Grand Horizon Wireless Speaker at Audio Advice Live 2025
Where Measurements and Performance Meet featuring Andrew Jones
Sponsored: Symphonia
Silbatone's Western Electric System at High End Munich 2025
Sponsored: Symphonia Colors
JL Audio Subwoofer Demo and Deep Dive at Audio Advice Live 2025

LATEST ADDITIONS

Recording of April 2018: Fairytales: Original Master Edition (MQA)

Radka Toneff & Steve Dobrogosz: Fairytales: Original Master Edition (MQA)
Odin LP03 (original LP, 1982); Odin CD9561 (24-bit/48kHz MQA-encoded FLAC file; Tidal Masters stream; hybrid MQA-CD; original sample rate 192kHz; 2017). Arild Andersen, prod. (1982, 2017); Andreas Risanger Meland, exec. prod. (2017); Tore Skille, Tom Sætre, original engs.; Svein Vatshaug, Rune Sund Nordmark, recorder restoration; Thomas Baårdsen, Geir Iversen, digital transfer of original tapes; Morten Lindberg, Peter Craven, Bob Stuart, digital restoration; Erik Gard Amundsen, technical advisor. DAA (original LP); DDD (MQA). Except: "My Funny Valentine," ADA (LP), ADD (MQA). TT: 40:11
Performance ******
Sonics ******

"See her how she flies . . ." When I first heard that lyric, from Jim Webb's "The Moon Is a Harsh Mistress," sung by a hauntingly fragile woman's voice and supported by a sparse yet lyrical piano accompaniment, at an audio show in 1983, I got chills. Who was this empathetic singer? Back in my cabaret-musician days, more than four decades ago, I backed so many singers with beautiful-sounding pipes but who didn't seem to comprehend the meaning of the words—yet this unknown woman directly communicated the song's emotion.

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Definitive Audio's Definitive Music Matters 13

Having fun at Music Matters 13: Peter McGrath (Wilson), Josh Clark (Transparent Cable), and Stereophile's Jason Victor Serinus (photo, Peter McGrath).

Hailed as the finest public audio retailer event in the United States, Definitive Audio's 13th annual Music Matters event on March 8 drew a huge crowd to the store's Seattle location. Having now covered four Music Matters, I can state with certainty that the sound at MM13 surpassed that heard on previous occasions, and showcased equipment in the best possible light.

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Recommended Components: 2018 Edition

We try to include in "Recommended Components" every product that we have found to be truly excellent or that we feel represents good value for money. Bear in mind that many different tastes are represented. The listing is compiled after consultation with Stereophile's reviewing staff and editors, and takes into account continued experience of a product after the formal review has been published. In particular, we take account of unreliability and defects that show up after extended auditioning. The fact that a product received a favorable review cannot therefore be regarded as a guarantee that it will continue to appear in this listing.
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MQA: Benefits and Costs

Enough has been said by now about the technical details of how Master Quality Authenticated (MQA) works to fill several books. But the technical details are only part of the story, and probably not the most interesting part—and they're certainly not what provokes the extreme emotional responses of many to the format. So let's jump into the business and practical aspects of MQA to which so many audiophiles are reacting.
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Recording of December 1973: Rachmaninoff: Symphonic Dances

Rachmaninoff: Symphonic Dances, Vocalise
Dallas Symphony Orchestra, Donald Johanos, cond.
Turnabout TV-54145S (LP). David B. Hancock, eng.; Tom Mowrey, Musical Supervision, Recording Director. TT: 41:18.

Not a new recording, and one that has already received raves in all the other audiophile publications, but if Stereophile is the only such magazine you read, you'd just better know about it, for this is the definitive symphonic recording to date.

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It's "Recommended Components" Time!

Not only does the April 2018 Stereophile feature our new "Recommended Components" listing, updated and revised (p.47), featured on the cover and reviewed inside is Bel Canto's Black ACI 600. This is a revolutionary kind of all-in-one product, a network-connected integrated amplifier that accepts both digital and analog inputs, including phono. Turn to p.110 to see what we think of it.
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A Crazy Girl Crazy

Winner of the 2018 Grammy for "Best Classical Solo Album," "Recording of the Month" in BBC Music Magazine, nominated for a 2018 Juno Award (Canada's version of the Grammy, coming March 24), listed in "Best Classical Music Recordings 2017" of the New York Times, and recipient of multiple European honors, Crazy Girl Crazy must be heard. Created by the phenomenally versatile Canadian soprano/conductor Barbara Hannigan, the Alpha label album/bonus DVD package showcases Hannigan and the Ludwig Orchestra performing three landmark 20th century masterworks—Berio's conception-shattering, impossibly acrobatic Sequenza III (1965); Berg's Lulu Suite (1926); and three Gershwin gems from Girl Crazy (1930)—arranged into a new Girl Crazy Suite (2016) by Bill Elliott and Hannigan.
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